Rio de Janeiro (10th July 1940) - New York (15th or 17th October 1940 - Chicago October 1940
Long tour without fix residence (New York- Saigon)
Tour in Australia, New Zealand, Pacific Islands (2 years without fix residence)
New York-Liege and other cities in Europe- tour in US
He lived in Zhytomyr probably until between 1878 and 1881.
Long tour around Russia, Ukraine, Poland - Kobelyaki shtetl - Poltava - Smila- Pereyeslav - Chernigov Daugavpils-Minsk- Bobruisk - Vitebsk- Rostov - Riga
ca. 20 January 1849; departure from Le Havre on 4 April
Italy, Tyrol, Munich, Augsburg, Ulm, Stuttgart
He spent most of his life on the road performing in different cities in Europe, in 1901 went to the United States performing in different cities there and Canada. In his later years, he settled in Chicago.
He lived in Zhitomir until he finished secondary school, probably around 1880, when he began his itinerant life, performing in different cities.
between 6th January and 15th January 1834
Ostend, Heidelberg, Bad Homburg, Stuttgart
Paris, Marseille, Barcelona, Cádiz, Boulogne
St. Gallen (Switzerland) - “kleinen Ort in Bayern”
Belgium, Germany, Russia, Ukraine, Romania, Ottoman, Greece, Egypt, Italy
After the tours in USA. Her Husband is a German.
New York (date of arrival: 16th March 1937)
Altenburg – Nuremberg – Munich – Biebrich - Salzburg
between June 1826 and November 1828 / late Autumm 1825
London-Moscow - London - New York - Mexico City-Jamaica - South America - Buenos Aires
Tour with Phenix Dramática theater company
Orpheum Circuit Consolidated (later Orpheum Circuit Inc.)
The Western Vaudeville Managers Association
United Booking Offices of Orpheum Circuit
Colonel Miles’s company & McWade Company
Manager of the Royal Italian Opera, Covent Garden, London
National Conservatory of Music and Performing Arts
Professor Brown’s Lady Velocipede Troupe
Performances in Vaudeville houses and roof gardens
Klaw’s and Erlanger’s Advanced Vaudeville
“Merry Widow“ Company/Adelaide Herrmann Vaudeville Company
Orfilia Rico Company (Dir: Julio Sánchez Gardel)
National Institute of Theatre Studies (INET)
National School for Music and Scenic Arts
Yiddish Illustrated Newspaper in New York
private company of actors by fanny janauschek
Masonic Lodge Charlotte zu den drei Nelken
Alfredo Camiña, Marcos Caplán and Enrique Serrano Company
Unterhaltungen für das Theaterpublikum in München
Europa, Chronik der gebildeten Welt in Stuttgart
Ermette Novelli and Tina di Lorenzo Company
Silvio Giovanetti and Julio Traversa Company
Italia Almirante, Irene López Heredia Company
South American Federation of Polish Jews
Karl Zilberman, Max Kurtz, Harry Feinberg, Gazovski and Aba Rosenzweig Toupe
Leksikon fun yidishn teater ( Lexicon of Yiddish Theatre or Encyclopedia of the Yiddish Theatre)
Touring Theater Company Companhia Dramática de Lisboa
Sociedade Teatral Ltd. In Teatro da Trindade
The Jewish National Workers' Alliance (Farband-Labor Zionist Order)
Warschauer Yiddischer Theater - A.G.Kampaneetz
Salon on Strada Kaleyia Vakaresht street
German Public Theatre (German’s Folks Theatre)
Amateur Dramatic Club of Shanghai (A.D.C)
Generaldirektor des Ministeriums für Bauwesen
The International Red Cross Society Of Shanghai
Leksikon fun yidishn teater (לעקסיקאן פון יידישן טעאטער Lexicon of Yiddish Theatre or Encyclopedia o
“Empresa nacional” (campaña argentina para valorizar autores nacionales)
Asociación Argentina por la Libertad de la Cultura
Elenco Nacional encabezado por Enrique de Rosas
Elenco Nacional encabezado por Blanca Podestá
Elenco Nacional encabezado por Angela Tesada
Partido Socialista Unificado de Catalonia
Colegio Libre de Estudios Superiores (CLES)
Biblioteca Nacional de la República Argentina
Company with Pepino, Hierónimo and all Podestás
Galton Opera Company at the Wood’s Museum
Madison Square Theatre of Steele MacKaye
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742)
born in a Jewish Ghetto as Juda Löb – also Löw Baruch
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/M/moskovitsh-romaner-yakov-yosef.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1226.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/singer-israel-joshua.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.791.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zeyderman.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.772.
after married the musicial Robert Stoepel
changed her name by the time she played the title role in Avrom Goldfaden’s Shulamis
believed to have been born Mary Frances Moss
change of her name from Mary Taylor to Laura Keene for stage purposes, making herself independent
(after marriage with Paul von Turn und Taxis and the name change forced on him by his family because of this marriage)
in 1887 she took her stage name Julia Marlowe
while attending school she was called Fanny Brough;
before going to the U.S. the family changed their name into Brough
artistic name of her first years in France
Mrs. Erving Winslow, from 1899 she was called Mrs. Reignolds-Winslow
When in Athens, she first appeared under the name “Marcella Bosio”, because she felt that her last name was too hard for audiences to pronounce. Not long after she opted to adopt her mother's maiden name, Sembrich, instead.
the family changed their name to Abuza before immigrating (her father fearing repercussions for having deserted the Russian military)
Wedding 18th april 1840 with Parisian theater director and art writer Louis Viardot
Fuoco = the mother's family name, given because there was more than one "Maria Brambilla" at the dance school, it means fire
He engaged Gustav Mahler for conducting in Hamburg.
Together with Ada Rehan, John Drew, Jr , and James Lewis, became known as “The Big Four”, 1880, highly acclaimed team unrivaled in ensemble technique
Connection with the„Nibelungen-Kanzlei“. Strong relationship with the Wagner family. Got colder in his time in USA because of modernizing conducting Wagner.
Buenos Aires and Madrid; Teatro Florida and Teatro Apolo
between 1st July 1932 and 8th August 1932
They worked together in Rio de Janeiro and New York
They met in Rio de Janeiro, he was the responsible for bring Carmen Miranda to US
They worked together in Rio de Janeiro and New Yor
They also worked together in 20th Century Fox in Hollywood
Blanche Marchesi is the daugther of Mathilde and Salvatore Marchesi
Founded together the „Sociedade de Concertos Clássicos“
Louis Marie Paulin Benoist Alphonse Révial
editor and probably co-writer of her autobiography
London, other cities in United Kingdom; Australia; New Zealand and other places in the southern hemisphere, America
They worked together also at Gaumont British
Artur Bodanzky was the assistant of Gustav Mahler
Bennett suspects he may be his real father
Margareth divorced from Bennet to married Newmark
Gustav Mahler brought her to the Vienna Court Opera.
rehearses all the great tenor roles of his operas with him
First close connection to Johannes Brahms, close friendship, break 1875 when Levi worked together with Richard Wagner and became friend of him.
McCullough also helped many younger actors to develop their careers one such as Mary Anderson
She went to the USA with Booth and lived with him as his partner, they married in 1851
Friendship with Gustav Mahler, supported him 1897 to became Hofoperndirektor.
After 1921 together in New York Philharmony
Brothers. They worked together in the 1880s in Paris and went together for tours to London at the end of the 1880s
They worked as Playwriter at the same theatre, but Berstl wrote that they just met sporadically unfortunately
nemesis with Wilhelmine Schröder-Devrient
Tichatschek sang in Bayreuth in his Wagners operas together with Wilhelmine Schröder-devrient
Caesar is acting teacher of Joseph Kainz
He met Richard Wagner at Oper Dresden. They worked together very well.
Sister of Marie Lehmann, On stage together with Marie(first Rheintochter) at Bayreuther Festspiele 1876
Blanche Corelli is the daugther of Rosa Csilleg
Sister of Lilli Lehmann On stage together with Lilli Lehmann (second Rheintochter) at Bayreuther Festspiele 1876
Oscar Hammerstein, her patron when she went to the U.S., in 1894
marriage, they separated after their return to Europe, but got not divorced
Mother of Marie and Lilli Lehmann (opera singer)
Bernhard Pollini arranged the contact between Paul Kalisch and Giovanni Battista Lamperti
Teresa is the aunt and teacher of Teresina Brambilla.
Youth friend of Richard Wagner, worked together with him in Magdeburg, where he was a conductor (also on guest appearances in Königsberg and Dresden), 1863 she plays harp under conduction of Richard Wagner in Leipzig
She worked as director in Associação Lírica Dramática
Assistant of Hans Richter at the Bayreuther Festspiele
Closer personal relationship with König Ludwig II, together with Josef Kainz and Emil Rhode
Maurice Strakosch (musician and impresario), her brother-in-law and singing teacher at a young age
John Drew, Mrs. Ann Hartley Gilbert, and James Lewis, together they were outstanding stars of the Daly company, called "Big Four"
Laura Keene was playing together in New York
Paul Taglioni created for her leading roles in ballets such as Fiorita (1848) and La prima ballerina (1849), Coralia and la Reine des Elfrides
Last years in Paris rivalries with Amalia Ferraris, she canceld her contract and followed an invitation to St.Petersburg 1859
Juli 1862 she and her husband stayed with Richard Wagner in Biebrich for two weeks. There they studied together the rolls for Tristan, together with Hans von Bülow on the piano.
She composed songs which she dedicated to Jenny Lind.
Friendship with Richard Wagner (he was inspiried by her interpretation of Leonore)
Teatro Alcázar, Teatro Politeama Argentino, Teatro Politeama Humberto Primo
Teatro Politeama Argentino and diverse tours
Politeama Argentino, Brothers Lo Carlo Circus
In concerts in London and Bruessel she works successfull together with Felix Mottl
In London Giulia Grisi sang together with Maria Malibran (good relationship).
Jewish, showing attraction to Anglican Christianity (attended the Episcopal Church in New Hartford), in addition, all three of her children were baptized
Bar Kochba (1883) steht im Zeichen des beginnenden Zionismus
May have converted from Judaism to Roman Catholicism as she married Carrera.
Jewish; Fifteen hundred people attended her funeral, considered a disappointing turnout, considering her status in the Jewish community. She had come to be seen as "a relic of the theatrical past, with a manner too romantic and grand even for the Yiddish stage"
baptised evangelical Christian (as a baby), comes from a Jewish family (negative thematised in the wedding to Paul von Thurn und Taxis)
converted to Catholicism and was baptized “My Judaism, as things are now in the world, prevents me from entering any court theater. - Not Vienna, not Berlin, not Dresden, not Munich is open to me. The same wind blows everywhere. "(Letter to Friedrich Löhr 1804)
Nazimova was born into a jewish family but raised a Catholic. Later she declared, her only faith was in her art.
baptised in St Michael's Roman Catholic Church
Baptized catholic but her maternal grandmother, Leah Kohn, was of Hungarian Jewish descent. Affirmed her Jewish ancestry proudly, fervently opposing the Hitler regime
He converted to the Catholic faith at the age of 54 as part of the assimilation of wider Jewish circles after the "Interconfessional Laws" of 1868 in Austria allowed a change of religion. He had all his children baptised Protestants in the places where they were born and where he had a stage engagement in each case.
Born in a Jewish family he was no active jude, but did not baptize
In 1899 he resigned from the Israelite religious community because the climate for Jews in Vienna was deteriorating.
Guestengagements until his retirement 1897, especially in Bukarest, sang there together with Gemma Bellincioni
she was on tour through Europe in Straßburg, Danzig, Hamburg, Berlin (Kroll-Oper)
for which he wrote around 60 radio plays, some under the pseudonym Gordon Mitchell
In the 1880s he was impresario in Europe together with his brother Maurice and his nephew Robert (Maurice´s son).
acted in the film "Estudantes" directed by Wallace Downey
acted in the film "Alô, alô, Carnaval" directed by Wallace Downey
North-America Tour. After the first world war he played in films especiallly in silent movies.
acted in the film "Banana da terra" directed by Wallace Downey
São Paulo, Santos, Campinas, Franca, Ribeirão Preto, Poços de Caldas
tours through Europe (Sofia, Bukarest), but also Germany (Dresden, Köln, Leipzig, München and Weimar
Tour with expectacle „Streets of Paris“ in Philadelphia, Toronto, Pittsburgh, Saint Louis
He played lover roles there, was a character actor and sang in the choir. At times he even danced ballet, repeatedly partnering the famous dancer Katharina Lanner (daughter of Joseph Lanner).
From 1913 no fest Commitment, but journeys to Japan, Korea, China for studying.
Cassinos tour in São Paulo State : Franca, Ribeirão Preto, Campinas, Santos, Poços de Caldas
Between mid January and Mid February 1940
Programm „The Fleischmann Hour“. Premiere 1939-07-03
Shubert Musical Revue “Sons of fun”. Premiere in 1941-12-01
he was appointed professor at the Academy of Music in Munich, where he was also responsible for the artistic training of young talents at the Court Theatre.
Tour in Europe ( Italy, Sweden and Finland)
His job was to find young talents and teach them in correct speech
After this tour, between 1886-1890 she and her husband settled in Lisbon and sought to rest and not engage in theatrical activity
very successful public academy in front of the Parisian public (in the salle Herz)
Last prasentation of Lucinda Simões as na Actress
First Municipal Prize to Cinema Production (1947) and First Prize from the Arts and Cinema Sciences Association
Municipality Prize for El verdadero Byron (1954), and Municipality Prize Ricardo Rojas for his essay Ricardo Rojas (1967).
She was German and for this reason she was hostile and had to quit her job at the Metropolitan Opera
between 29th May 1850 and 21st Fabruary 1851
between 20th March 1853 and 7th February 1854
Stettin, Mainz in the years between hear debut in Berlin and Bremen
Metz, Strasbug, Darmstadt, Ems, Koblenz, Manhheim, Frankfurt
Wiesbaden, Bremen, Weimar, Berlin, Hamburg
1894 toured through Netherlands. There Walter Damrosch engaged her for his opera company and a tour through USA
Posem, Breslau, Warsaw, Cracow, Vienna, Leipzig, London
Opera singer, St. Petersburg Singer, 1845 she gave concerts in Germany with Hermann Berens (piano), later in Hungary Opera singer, Carnival 1847, Rom Opera singer, 1847, Royal Opera House, London Opera singer, Octobre 1847, Theatre-Italien, Paris
youngest leading women in the U.S. at that time
between 1st January 1858 and 21st October 1858
between 1st November 1858 and 31st December 1860
between 1st November 1858 and 31st December 186
Concert in favour of his brother Alfredo
travelling to sign contracts for future concert
(Instituto Nacional de Música) concert celebrating the 50th anniversary of his first concert in Rio de Janeiro
She was 10 years old, just before move to Brussels
work together with Impresario Bartolomeo Merelli
Stars in a weekly series of fifteen-minute radio broadcasts
from 1905 until 1914 she lived in Berlin and had guest engagements all around.
in summer 1908 and 1910 she sung at the Münchner Wagner-Festspiele
debut in Il Trovatore under the name Tini Rössler
1815? , with engagements at Theater an der Wien
End of Engagement because of marriage with an officer, David Oskar von Döring. It was forbidden being an officer´s wife and working on stage at the same time
she gave concerts in Germany with Hermann Berens (piano), later in Hungary
she sang alternately in Gotha and Coburg
she sang together with Ludwig Schnorr von Carolsfeld
UA: Tristan und Isolde, title role together with her husband. after the death of her husband (21.7.1865) she withdrew from the stage
Frankfort - Tour around South and West of US
Lexington - Tour around South and West of US
Vicksburg - Tour around South and West of US
Natchez - Tour around South and West of US
Singer, Theatre owner, Direktor, Gesangslehrer
to benefit the Shakespeare Memorial Theatre Fund
After her big success in Nizza she went to Germany to study Wagner-roles. She had different guest engagements also in Berlin at the Hofoper.
After the first world war she had guest engagements in Berlin, Dresden, Leipzig, München and Amsterdam, but dates are not known until now.
Paris im Ballett-Divertissement zu Halévys Oper La tempête
At the same time guest engagements in London
fixed contract. She was the highest paid dancer of her time in Paris
During her time in Berlin she has guest engagements in Monte Carlo, Paris, London, Stockholm und Brüssel.
Bernhard Scholz helped her to get the job. After marriage 1863 she finished her career as an opera singer and sang only in concerts again.
played supporting roles alongside prominent actors like Edwin Booth and John Edward McCullough
engagements in several German opera houses.
Start 1877, End between 10. June 1878 and the end of 1878
often acting in the plays of Henrik Ibsen
He had the same wandering ways with his parents, until he had made Paris his place of rest.
At the end of the opera seasons, Josephine returned to Warsaw where she performed for charities, as her mother had. She gave any income that she made in Poland to charity.
her uncle gave her the job, she left Dresden because of his political trouble
because of invitation of König Ludwig II, after he heard him in Darmstadt, he sang 700 times in Munich, also in all Wagner operas, UA Meistersinger von Nürnberg
1853 appointment as Kammersängerin. 1862 resignation from the stage, but again on stage as an actress two years later
Assistant of Hans Richter at the first Bayreuther Festspiele
UA of his first opera Agnes Bernauer, promoted by Franz Liszt
his father died and he must earn money for the family, so he became chief-conductor at Carltheater
Tournee in France, Belgium and Holland in 1938 and again in 1950
Leader of the Königliche Akademie der Tonkunst in München
Pabst Theatre // Lawndale Jewish Theatre Company (Chicago) he died after a performance at that theatre
Tour through the USA with over 150 concerts, including Cuba and Canada.
She made her stage debut on 27 November 1930 as a minor role.
Jenny Lind transitioned from an apprentice to a salaried professional actress at the Royal Theatre, with an annual salary of 700 Riksdaler Banco. She went to Paris in July 1841.
other source 1850-1852 Stadttheater Breslau
Pieces in German are performed in Warsaw, not very successfully
He toured San Francisco und remained there
Touring the Russian Empire. Companies organized by the Kaminskis
Several successful tours, managed by her husband
Kaminska organized a succession of dramatic companies, Translator
was in the Theatre Royal Drury Lane London
Collaborations with companies in Poland (e.g. Vilner Trupe) and Yiddish companies abroad.
as an amateur in a wretched little theatre in Pancras Street, Tottenham Court Road.
Reestablished Varshever Yiddisher Kunst-teater
From May 1935 till February 1936, he was imprisoned in El Puerto de Santamaría. He was expelled from PSUC in 1949. He was imprisoned in 1957 and died in Burgos penalty.
Dos Baveglekhe Dramatishe Teater and Di Yunge Bine
Tour throughout Europe, visiting displaced person camps
His novels Barrio gris y Oro bajo were both adapted into films. He wrote the script for Oro bajo (1954) and obtained the prize Premio Cóndor de Plata. Barrio gris obtained a golden medal from the Comisión Nacional de Cultura de Argentina.
Compañía de Florencio Parravicini- Pablo Podestá y Orfilia Rico
first appearance, sang under his pseudonym Paolo Alberti
Between 6th August 1889 and 5th August 1890
first training with the orchester 23th december 1907
In the summer of 1844 she fell ill with tuberculosis but recovered.
toured with The Diamond Express and appeared at the Royal Variety Performance
Starts a company in the Teatro da Rua dos Condes
with an annual salary of 700 Riksdaler Banco
member of the Royal Swedish Music Academy in Stockholm and appointment as court singer
with Meyerbeer; Private performance, debut at the Royal House of Berlin
Tour through the USA with over 150 concerts, including Cuba and Canada. USA-Tour was organised by P.T. Barnum. Lind left England on 21 August 1850 and arrived on 1 September 1850 in New York.
he left Paris Opera when Gailhard left. during his time there he didn't go on tour anytime. Studies at Konservatorium in Paris because of recommendation of the director of the Paris Opera Pierre Gailhard, later studies at Pariser Konservatorium with Edmond Duvernoy his debut in Paris 1880 he sang together with Nellie Melba.
with the Oskar-Braun-Operettengesellschaft
Summer tour of the Great Opera Houses of Europe.
Studies at Lobkowicz Konservatorium in Wien with Mathilde Marchesi de Castrone
She sang together with Enrico Caruso in UA of La Fanciulla del West in New York at Metropolitan Opera.
1905-1908 or 10, “Leamy Ladies” troupe (named for their manager, Edward Leamy), touring Europe as well as performing with the Barnum&Bailey Circus in the U.S
1911- around 1914. she worked in vaudeville
Approval of her book Jazmín del país as ideal for schools. First edition of the book in 1929. Approval was later
Artistic society directed by Vale in Teatro da Trindade and later in Teatro Dona Amélia and Teatro da Rua dos Condes
Stays in Brazil after that working with Pascoal Segreto Company. Starts to work as playwriter with the Brazilian writer Cardoso Meneses.
Luíz Galhardo Theater Company. With this company he made a tour in Brazil (1916)
President of the theatrical workers union
Sociedade Teatral Ltd.. Hired by Antônio de Macedo
He works with José Clímaco’s company in Éden Teatro and with Companhia Portuguesa de Revistas of Jorge Grave in Politeama
She stoped to work at the theatre and started to work as a private singer teacher at home.
With Sociedade Particular do Ginásio do Comércio (at this time her husband's theater company returned to the city of Rio Grande and the actress was no longer part of the company) after June she worked in the Alves Meira Theatre Company.
(at this year, the company also performed in Pelotas city) She and Bartholomeu Magalhães gone to Rio Grande to work at the Raymundo’s Company also called as Sociedade Dramática Empresária. They were based on Teatro Sete de Setembro.
She worked in different theatres of the city and different companies.
shortly after her arrival she already broke the contract
She worked with the José Antônio do Vale’s dramatic company
With the Associação Dramática Empresária. There are newspaper reports that state that the actress moved from Rio de Janeiro in 1878, but it is not clear where she went, why, and when exactly she returned.
Take part of a theatrical society the Compania Dramática in the Teatro São Luiz
She worked as director with Lima Penante in the Manuela Lucci theater company
Last time that she worked with her theatre company with Lima Penante
She stopped with the theatrical business and opened a wax flower store on the old Rua do Comercio in the city of São Paulo
He moved to the country site of São Paulo where he lived until returning to Porto. Tobacco store owner
1900 World Fair in Paris, and then took his own productions to Berlin, Vienna, Budapest and London.
Wrote and directed three films: Das Gespenst von Clyde, In Nacht und Eis, and Das Mirakel.
made one more film, Der Excentric-Club for Projektions-AG Union (PAGU)
Tour in Europe, especially in Warsaw, Poland Yiddish theatres in Europe
She concentrated on the English-lenguage stage
Last stage appearance, Isaac Beshevis Singer‘s In My Father‘s Court
Circuit in England, Ireland and Scotland
Theatre with the manager Mr. Robert William Elliston
Stamford Circuit theatres at Newark and Grantham
Varied experience in New York, performing in three or four theatres.
Winter 1840. Due to non-payment of salaries for the season at the Park Theatre, they created a company and occupied the Franklin Theatre
Made her New York debut in The Spoiled Child at the Bowery Theatre
Tour in diferente cities in the US Including Bowery Theatre (NY) and Chestnut Street Theatre in Philadelphia.
Tour with the hole family in Jamaica She went with the company to Jamaica in a partnership with Mr. Jones.
Member of the stock company in the Bowery Theatre
She worked there when the Park was closed
Became a traveling actress in the 1860s (due to financial difficulties)
She worked with her father Rafael and sister Carmella
Yankev Ber Gimpel (Theatregroup of Max Gimpel), later becoming prima donna Actress
her first English part (title role of Fédora, by Victorien Sardou
Last stage appearance. She recited the final scene of Louis Untermeyer's poem Heine's Death
Movies: In 1923, she performed in Jitta’s Atonement, adapted by George Bernard Shaw from the work of Siegfried Trebitsch.
Invitation of Ernst von Possart)(Privat plays for König Ludwig II
he followed Ludwig Barnay, who founded this theatre, but broke with him and got a theatre ban for breach of contract, than he went to USA (for tour or for longer?
Invitation of the director Max Burkhardt, appointment to “Imperial and Royal Court Actor”, for this he got a contract of twelve years
dismissal due to the theatre’s financial problems
Invitation on the recommendation of Richard Wagner
From 1897, Held enjoyed several successes on Broadway, including A Parisian Model (1906–1907).
Appearing continuously Ziegfeld-Productions, 1900-1912.
1833- around 1840. rising up to the première danseuse
touring the provinces of England with her husband George
1850- maybe 1856. appearing together with George as a dance act, Chicago and Midwest
Gilbert’s New York debut in Finesse at the Olympic Theatre
touring the U.S., Germany, France and England
debut in 1908, playing a boy in J. Gordin's Mirele Efrosplaying a boy in J. Gordin's play Mirele Efros. The theatre is unknown.
Yiddish theatre companies (David Kessler, Boris Thomashefsky)
She taught women, who later become celebrity actresses; Fisher would later disparage their talents to the press
Union Square Company of Mrs. John Drew and Augustin Daly
Last performance (August in Daly’s Company)
between July 01.07.1881 and September 30.09.1881
between September 1882 and November 1882
other source: 1829, invited by Louis Duport, there administrator in Vienna for Domenico Barbaja
other source: 1829-1831, played together with Franz Wild, got an acting training there.
together with Wilhemine Schröder-Devrient
touring two years through Northern America
sang there in the UA of Salome, Elektra and Der Rosenkavalier
after her carrier as an opera singer she was a singing teacher in Wien
her husband Hans Claar was director and actor there
between September 1881 and December 1882
condition in his contract: he wanted to play also at the German theatre there
Ensemble, influenced by Heinrich Laube he changed to other roles
live long contract, 1864 cancelled by himself after a disput with Karl August Ludwig Quanter
Guest engagements in the 1850th and 1860th to Leipzig, Dresden, Berlin, Potsdam, Weimar, Breslau, Prag, München, Augsburg, Paris, St. Petersburg, Pest, Magdeburg, Schwerin, Nürnberg and Warschau
he succeeded his father at the New York Oratorio Society
He succeeded his father as conductor of the New York Symphony Society (later renamed the New York Symphony Orchestra)
Playing the roles of Lady Teazle, Countess Leika, Lady Clare and Rosalind, winning a pronounced success in each
but soon Coghlan left,being displeased with a part assigned to her in L' Abbe Constantin
she left Vienna because of disagreements with Gustav Mahler (Director
after Coried changed to the new York metropolitan opera 1907 and the theatre became a bad reputation in the following years. He led it to old gloriosity and was stopped because of the first world war- his money was confiscated.
several filmes, last one Foolish Wives still exists
Guest engagements in Düsseldorf and in Oldenburg (first time at Großherzoglichen Theater in Oldenburg 14th January 1900 as Hamlet, last time 26th november 1911 as Othello).
For several times he played at Deutsches Theater in St. Petersburg
His strongest international relation was to Deutsches Theater in New York, the Irving Place Theatre, with Heinrich Conried as director (first time april 1898 together with Agnes Sorma in Humperndincks Königskinder)
Christians had negotiated a generous holiday arrangement with the Königliches Schauspielhaus Berlin, which allowed him to make guest appearances for more than three months a year. However, it must be to take into account that he needed 14 days of that time for the Bremen-New York ship and back. At least until 1906 he was able to spend several weeks in New York each year.
after finishing his lessons - Carl Rosa Opera Company
Opera singer (old), also actress in play operas
Contract with impresario Alessandro Lanari: She danced at La Fenice (Venice) and San Carlo (Neapel)
Sourcesay the Academy only existed from 1875 onwards
1834 Grisi Carlotta met Jules Perrot and travelled together with him
because Fanny Elßler was on tour in North America
debut with “Romeo” in I Capuleti e i Montecchi
Between 1905 and 1907 guest engagements at Berliner Hofoper
last time she sang on stage (again Romeo)
between 19th March 1869 and 20th April 1870
Grisi sang together with Marietta Alboni at the openening of Covent Garden Opera in Rossinis Semiramide.
between 1st January 1896 and 22nd March 1896
between 4th October 1899 and 31st December 1899
Staatsoper Unter den Linden, Berlin (first time 2nd september 1859) Permant engagement 1st january 1860 to death 1865
She left stage because of marriage with Gustav Geiringer. Nothing known about her after 1902.
He quit in a dispute with the Intendant Friedrich Halm in the autumn of 1867
He joined an Italian opera company in the autumn of , becoming its impresario. This marked the beginning of his career as one of the most important opera directors of his era.
Impresario of the Italian Opera, 1867 (for some years), Sankt Petersburg and Moskau
From 1876 additional Stadttheater Altona
And from 1894 additional Thalia Theater. He presented opera four times a week, drama twice, operetta or ballet once and was so successful that he achieved full houses and handsome surpluses. He staged 175 premieres, 51 of them world premieres, and continued as opera director until his death.
where Schumann followed a bigger opera company, he worked in speaking roles in opera and as an souffleur
which was combined with the theatre in Triest
Theatre director, Laibach (which was combined with the theatre in Triest)
Count Skarbek wanted him for this position
he changed for political reasons from Lemberg to Laibach
after a stroke he retired into private life
chemistry at the Technical University of Karlsruhe
Als 1934 ein Gastspiel in Leipzig von der Reichstheaterkammer wegen ihrer jüdischen Abstammung verboten wurde, erklärte ihr Ehemann seinen Austritt aus dieser Organisation.
Sie ging nach Albert Bassermanns Tod 1953 für zwei Jahre an das Stadttheater Göttingen
Kortner erfolgreich bei dem Schauspiellehrer Ferdinand Gregori, Vorsprechen, Wiener Akademie für Musik und Darstellende Kunst
Berthold Viertel engagiert Kortner an die Wiener Volksbühne
Einladung von Wolfgang Langhoff nach Berlin
continued carrer in the service of nazi cinema
tours through Italy (Mailand, Triest, Vicenza, Bologna and Rom)
He got the job on the recommendation of Richard Wagner, whom he knew because of the Nibelungen-Kanzlei. He worked there under director Angelo Neumann
The ensemble was founded by Angelo Neumnann
Guest engagement. Co-conductor under Leopold Damrosch, later under Walter Damrosch
During his time in New York he had a lot of guest emgagements in several American cities to conducht wagner operas, e.g. 1991 through Invitation of Benjamin Johnson Lang in Boston to performe Parsifal there fort he first time
sang there „The Trompeter von Säckingen“ , worked with the composer Victor Nessler
1859 he lost his voice and he regenerated in 1862
1859 he lost his voice and he regenerated in 1862. 1865 he lost his voice again and got no new contract 1866 in Wien for this reason. He moved to Wien after retirement
1865 he lost his voice again and got no new contract 1866 in Wien for this reason. He moved to Wien after retirement
1876 he moved to Graz to give singing lessons
Carl Rosa Opera Company - Tour in England
Florindo Joaquim da Silva’s dramacompany
Corinthian Theatre; Hindu Theatre; Theater Royal
English Opera Company under Henry Manley
Phênix Dramática and Teatro Apollo (maybe also others)
William E. Burton’s Chambers Street Theatre
Mrs. John Drew's Arch Street Theatre of Philadelphia
Großherzogliches Hoftheater in Darmstadt
Großherzoglich Badische Hofkapelle Karlsruhe
Florindo Joaquim da Silva Theatre Company
Heller Theater Company (Companhia Phênix Dramática)
New Heller Theater Company (Eden-Teatro)
Campanhia de Operas Cômicas, Operetas e Mágicas
Companhia de Operetas Mágicas e Revistas
Companhia Infantil (empresa Palmerino & Co.)
Companhia de Operetas, Mágicas e Revistas
Grande Companhia de Operetas e Revistas Silva Pinto
Royal Swedish Music Academy in Stockholm
Alcazar Lyrique / Théâtre Lyrique Français
Vereinigte deutsche Theater in Pesth-Ofen
Vereinigten Stadttheater von Rostock und Stralsund
Casa del Teatro, Teatro Nacional, Teatro Presidente Alvear
Owner of his photography shop where he used to make portraits
Owner of a local, where there was a newspaper: El Norte
The actress works in several theaters in the city
„altes“ Burgtheater am Michaelerplatz, Vienna
Companía Dramática Rioplatense (Dir: Alfredo Duhau)
Compañía Argentina de Comedias (Dir: Argentino Gómez)
Compañía Dramática Argentina de La garra
Compañía Argentina de Sainetes y Comedias
Compañía Argentina de Comedia Paulina Singerman
Compañía Nacional de Comedias y Gran Gignol
Academia de Artes y Ciencias Cinematográficas
Comisión Nacional de Cultura del Ministerio de Justicia e Instrucción Pública
Consejo Consultivo de Autores, Actores y Empresarios
Companhia Israelita de Dramas e Comédias
Universität für Musik und darstellende Kunst Wien
Compañía Sudamericana de Billetes de Banco
New York American-Evening Journal Christimas fund benefit
Compañía de Orfilia Rico (Dir: Julio Sánchez Gardel)
Compañía de Ermete Novelli y Tina di Lorenzo
Compañía de Alfredo Camiña, Marcos Caplán y Enrique Serrano
Elliots Academy of Music in Williamsport
Deutsche Akademie für Musik und darstellende Kunst in Prag
Manchester USA Opera House in Manchester USA
Traveling company of Zygmunt Turkow and Ida Kaminska
di Idishe federatsye far muziḳ un drama
Florindo Joaquim da Silva’s drama company
Progresiv dramatik klub (Progressive Drama Club)
Companhia Portuguesa de Revistas of Jorge Grave in Politeama
Vaynshtoks, Vaynshtayns, and Goldschmidt Troupe
Germano Francisco de Oliveira’s theatre company
Sociedade Particular do Ginásio do Comércio
Jewish Art Theatre (The New Yiddish Theatre)
Professional Yiddish Actors Union in Poland
The Bukovina Israelite Folk Page (weekly journal)
Yiddish Dramatic Theatre (Hirshbein troupe)
Feinman's Artistic Temple (Feinman's Yiddish People's Theatre)
Arthur Hopkins' English-language theatre
Irving Place Theatre (The New Yiddish Art Theatre)
The Hebrew Actor's Protective Union of America
the first Yiddish troupe in South Africa.
Professional Yiddish Artists Union in Poland
the first Yiddish children's journal in America
Publication Committee of the Lexicon of the Yiddish Theatre.
Yosef Veynshtok and Leon Berger's troupe
the Jewish Federation of Music and Drama
Ukrainian troupe under the direction of E. Relkin
the Polish Publication Committee of (first volume) the "Lexicon of the Yiddish Theatre
Vaynshtoks, the Vaynshtayns, and Goldschmidt's troupe
the first Yiddish actors' union in America
The dramatic studio of the Peretz Society
Serotsky and Weissman's Yiddish itinerant troupe
amateur productions from Goldfaden's plays
the "first Yiddish artists union", and the Yiddish cooperative troupes
Buff Theatre (later renamed El Dorado and now Boguslovski)
Municipal Orchestra and Band of Shanghai
Yidishes ṭogblaṭ⁩ - ⁨יידישעס טאגעבלאט⁩⁩
Literarisze Bleter⁩ - ⁨ליטערארישע בלעטער
דער יודישער העראלד - The Jewish herald / Jewish herald
University of Southern California (Los Angeles)
Bund herrschaftsloser Sozialisten (BhS) (Vienna)
Film Production companies Lux and Pathé Frères
Private drama association of the city of Vinha do Minho
Organizes itinerant theater companies in the provinces
He worked in a public office (not theatre related)
Free Theatre (name based on André Antoine company)
Rehearses in Porto for the presentation at Teatro da Trindade in Lisbon
Nova Companhia de Declamação theater company
Rey-Colaço-Robles Monteiro theatre company
Rey-Colaço-Robles Monteiro theater company
Erico Braga-Lucília Simões theater company
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/simonoff-moshe.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1489.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/simon.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1484.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/sincoff-abe.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1494.
Adele Smith (born Owles; stage name Adele Dewey)
Howson English Opera Company/ Lingard´s company/Templeton and Co.
Ben De Bar's Opera House company, St. Louis
Teatro Phênix Dramática (old Teatro Eldorado)
Instituto Nacional del Estudios del Teatro
Neues Theater am Schiffbauerdamm in Berlin
Companhia de Operetas, Dramas e Comédias
Il teatro e gli artisti italiani nell’Argentina (monography)
Manuel Romero, José González Castillo y Carlos Schaefer Gallo
Compañía lírico-dramática (Dir. Arderius)
Recital with Maurice Lafarge at the piano
Königliches Hof- und Nationaltheater in München
Compañía Italiana de Comedias de Tatiana Paulova
Bidwells Academy of Music in New Orleans
Rumanian Opera (National Theatre in Bucharest)
The Yiddish Art Theatre (as stable theatre)
British society for spreading Christianity among Jews
Furtado Coelho theatre company Empresa Phebo & Comp.
Bucharest Art Academy/ Royal National Theatre
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 3899-3900.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/spector-betty.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1536.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/spector-leon.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1536.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zhitkovski-vladek.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.797.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/T/tsvibel-louis.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.4869.
Compañía de Silvio Giovanetti and Julio Traversa
Conservatorio Nacional de Música y Arte Escénico
Rumenish-yidish teater under the direction of Izak Libresko and Leon Berger
Yiddish Dramatic Society - דער יידיש דראמגעזעלשאפט
Waxman-Wallerstein’s Yiddish Theatre Company
Wallerstein Operatic and Dramatic Company
Lucília Simões-Erico Braga theater company
Dictionary of National Biography: 1885-1900/Booth, Junius Brutus, https://en.wikisource.org/wiki/Dictionary_of_National_Biography,_1885-1900/Booth,_Junius_Brutus. Archer, Stephen M. (2010). Junius Brutus Booth: Theatrical Prometheus. SIU Press. Geni: Junius Brutus Booth, I (1796 - 1852), https://www.geni.com/people/Junius-Booth-I/6000000003163765829.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/goldfaden-abraham.htm
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/V/vaynshtok-sophia.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.692.
Arellano-Tesada/ Ángela Tesada-Enrique Arellano
Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Band 1, Verlag der Österreichischen Akademie der Wissenschaften, Wien 1957
buried in the Alter Domfriedhof der St.-Hedwigs-Gemeinde cemetery. Her grave is decorated with a marble angel by Julius Franz.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/bellow-hirsh-gedalyi.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.192.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/D/dayen-sam.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.539
One of the most talented ballett dancers of the 19th century.
Karl Theodor von Heigel: Heigel, Franz. In: Allgemeine Deutsche Biographie (ADB)
died on tour in his privat railroad car on his way from Rorchester to Bradford Pennsylvania, Woodlawn Cemetery, New York City
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Alexander Herrmann.jpg
Hitchcock was appointed a Knight Commander of the Most Excellent Order of the British Empire (KBE) in the 1980 New Year Honours.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/H/hurwitz-charlotte.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.606.
Buried in Washington Cemetery, Brooklyn, New York
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/L/latayner-izela.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.964.
Part of the Strakosch family, the “sugar barons”.
Narciso, Napolão & Cia. (Musical Instruments Store)
Dicksons Grand Opera House in Indianapolis
Chestnut Street Opera House (Philadelphia)
The Yiddish Art Theatre (as company on tour)
Library of congress, https://de.wikipedia.org/wiki/Leopold_Damrosch
Komponist, Dirigent, Violinist ,Musikpädagoge
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/H/heyligman-samuel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.606.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/K/kopelman-louis.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.5145.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/shrage-adolph.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.4938.
Vicente Pontes de Oliveira’s theatre company
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/boyarsky-bogart-rafael.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.12.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/groper-joseph.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.527.
Buried in Mount Hebron Cemetery, Long Island, New York
Burial: her ashes were interred at the Inglewood Park Cemetery in Inglewood, California
Composer, Music Teacher,Theatre Director
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/V/vaksman-roza.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.662.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/W/weinstein-sol.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.693.
Associação Lírica Dramática theatre company
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/axelrad-minnie.htm http://studia.ubbcluj.ro/download/pdf/1204.pdf Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.88.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/axelrad-rosa.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.89.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/axelrad-rukhl.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.89.
buried in Alter St.-Matthäus-Kirchhof Berlin
She has received several awards, among others the Order "Bene Merenti" Class of Carol I, as well as the Ottoman "Artistic Medal" and the "Grand Officer Sefakatului". She spoke German, French, Italian, Spanish, English, Greek and Russian. Her funeral was payed by the Italian embassy
Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Paul List, Leipzig 1903
Theatre Manager, Conductor, Opera Correpetitor
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/greenshpan-chaim.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.537.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/H/hadassah-esther.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.591.
Died 1919 in Manhattan Lenox Hill Hospital of kidneyproblems and paralysis. Interred in Woodlawn Cemetery (Bronx, New York)
Introduced as Alexander Herrmanns successor on the 10 January 1897.
The Japan Weekly Mail. 10th March 1888, p. 216: https://archive.org/details/jwm-bound-1888.1-6/page/216/mode/2up?q=Iburg. North China Herald. 24th February 1888, p. 199: https://archive.org/details/north-china-herald-1888.02.24/page/n1/mode/2up?q=Iburg. Kathleen L. Lodwick: The Chinese recorder, Shanghai: T. Chu [etc.] 1868, p. 148, https://archive.org/details/chineserecorder19lodwuoft/page/148/mode/2up?q=Iburg. North China Herald. 26th February 1874, p. 176: https://archive.org/details/north-china-herald-1874.02.26/page/176/mode/2up?q=Iburg. North China Herald, 04th March 1875, p. 209, https://archive.org/details/north-china-herald-1875.03.04/page/208/mode/2up?q=Iburg. The Japan Weekly Mail. 17th July 1880, p. 915: https://archive.org/details/jwm-bound-1880.5-8/page/934/mode/2up?q=Iburg. Musical performances at Felix Meritis. Program for Friday 20th February 1857, https://www.vondel.humanities.uva.nl/felix/concerts/553.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/K/kompaneyets-leah.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.5327.
# Hongyu Gong: “Beethoven in Semi-colonial Shanghai (1880-1899),” in Journal of Wuhan Conservatory of Music, no. 1, 2017, pp.169-177. # Chun-Zen Huang: “Opera Activities in Shanghai Concessions in the Late Qing and Early Republican Periods (Ⅰ),” in Music Browser, no. 2, 1999, pp.2-7, https://ebook.culture.tw/publication/2022-02-08/1a73ba19-8049-41ed-8fb4-7124a8ed7fe4/4/.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Wikisource: Enrique Frexas de Sabater, online: https://es.wikisource.org/wiki/Autor:Enrique_Frexas_de_SabaterBiblioteca Digital Hispánica, online: https://bdh.bne.es/bnesearch/q/autor/FrexasAlmanaque satírico e ilustrado, con grabados originales, Barcelona: Gaceta Universal 1866, online: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://hemerotecadigital.bne.es/hd/pdf?oid=0004016687
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/moyt/lex/K/kompaneyets-israel-V5.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 5, Mexico City: 1967, p.4254.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Israel Kompaneyets.png
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/R/reiz-binyamin-chaim.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.5027.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/W/wallerstein-hymie.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.649.
Ludwig Eisenberg: Großes biographisches Lexikon der Deutschen Bühne im 19. Jahrhundert, Paul List, Leipzig 1903
Tsipe Abelman: ““Permit New Actors on the Stage?”: A 1905 Protest Letter by Tsipe Abelman”, Digital Yiddish Theatre Project, November 2021), https://web.uwm.edu/yiddish-stage/permit-new-actors#fnref-3.
Place of Burial: Vienna Central Cemetery
In 1929, a traffic area in Vienna-Liesing was named Bertégasse in tribute to the composer, buried in Vienna Central Cemitery
Ludwig Eisenberg: Großes biographisches Lexikon der Deutschen Bühne im XIX. Jahrhundert. Verlag von Paul List, Leipzig 1903
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/R/rivesman-mordechai.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.4969.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/T/tanzman-berta.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.854.
Biographisches Lexikon des Kaiserthums Oesterreich
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/nathanson-charles.htm https://congressforjewishculture.org/people/6457/Ben-Zion-Benedikt Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.187.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/berg-rudolf.htm https://lia.lvivcenter.org/en/themes/?ci_themeid=86 https://lia.lvivcenter.org/en/themes/?ci_themeid=87 Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.197.
Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/blank-leon.htm https://jewish-music.huji.ac.il/en/content/leon-blank Leon Blank Dies. In: New York Times, September 9, 1934, p. 34 Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.172.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/goldberg-sam.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.269.
buried in Forest Lawn Memorial Park (Glendale)
# Ellis Island records, Misu arrived in the US on 27 October 1915 aboard the Frederik VIII from Berlin as the name of Misu Rosescu, the port of departure is Copenhagen, https://heritage.statueofliberty.org/passenger-details/czoxMjoiNjEwMTE0MDUwMDIzIjs=/czo5OiJwYXNzZW5nZXIiOw==. # IMDB, “Biography of Mime Misu”, https://www.imdb.com/name/nm0593010/bio. # Ellis Island records, Misu arrived in the US 1st February 1917 on the Noordam from Rotterdam, https://heritage.statueofliberty.org/passenger-details/czoxMjoiNjEwMTg5MDExMjMzIjs=/czo5OiJwYXNzZW5nZXIiOw==.
Laryngitis ended her active career as a singer in 1891. In Innsbruck, she became the only female member of the Akademischer Gesangsverein.
Gerhard Kohlweyer: Agnes Stavenhagen, Weimarer Primadonna zwischen Johannes Brahms und Richard Strauss. Weimarer Taschenbuchverlag, 2007
He wrote and translated Yiddish plays. After WWII he published numerous popular works about Yiddish theater in Poland and Israel.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/adler-israel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.29.
R. Wiesinger: Ascher, Leo. in: Österreichisches Biographisches Lexikon 1815–1950, Online-Ausgabe, https://www.biographien.ac.at/oebl/oebl_A/Ascher_Leo_1880_1942.xmlWerner Röder; Herbert A. Strauss (edd): International Biographical Dictionary of Central European Emigrés 1933–1945. Band 2, München: Saur 1983, p. 36f.
Doctor of law (1904) His artistic estate is preserved at the Leo Ascher Centre of Operetta Music at Millersville University of Pennsylvania. Letters, pictures, manuscripts and printed music are well preserved there.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/bernstein-berl.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.207.
Berl Bernstein and his son : https://archive.nyu.edu/bitstream/2451/56150/1/2ave_285_large.jpg
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/bezman-iser.htm chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.yivo.org/cimages/institutional_newsletter_9_-_fall_2020_lo-res.pdf Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.188.
WERNECK, Maria Helena; REIS, Angela de Castro (org.). Rotas de Teatro: entre Portugal e Brasil. Rio de Janeiro: 7Letras, 2012. Website of Bordalo Pinheiro’s museum in Lisboa: https://museubordalopinheiro.pt/rafael-bordalo-pinheiro/bordalo-e-o-brasil/
Cartoonist, Journalist, Theater Critic,Ceramist, Costume designer, Stage Designer, Actor
Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert.
https://snaccoo
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.
other sources: 18 March 1850 or 1851 in Petersborough, Lincolnshire
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Wikimedia: Agustín Fontanella, online: https://commons.wikimedia.org/wiki/File:Tranquera_-_Agustin_Fontanella.pdfAgustín Fontanella: Tranquera. Drama criollo, Buenos Aires: N. Tommasi Editor 1898, online: https://digital.iai.spk-berlin.de/viewer/image/835984818/1/#topDocAnchor
Litoff, Judy Barrett, and Judith McDonnell. European immigrant women in the United States: a biographical dictionary. New York & London: Garland Publishing: 1994, p.108-109.
buried at Town Hill Cemetery in New Hardford, Connecticut
Burial: Kensal Green Cemetery Royal Borough of Kensington and Chelsea, Greater London, England
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/K/kompaneyets-max.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 4, New York: 1963, p.2685.
Historical Photographs of China (ed.): “Robert William Little, editor of the North-China Herald, Shanghai”, https://hpcbristol.net/visual/ld01-137. Evening Irish Times (ed.). 27th April 1906. p. 5: https://www.britishnewspaperarchive.co.uk/viewer/bl/0003464/19060427/104/0005#. North China Herald (ed.). 29th March 1877. p.315: https://archive.org/details/north-china-herald-1877.03.29/mode/2up?q=R.W.Little. The North-China Daily News (ed.). 10th October 1872. p.298: https://archive.org/details/north-china-herald-1872.10.10/page/298/mode/2up?q=R.W.Little. The North-China Daily News(ed.). 25th May 1872. p.414: https://archive.org/details/north-china-herald-1872.05.25/page/414/mode/2up?q=R.W.Little. Historical Photographs of China (ed.): “R.W. ‘Bob’ Little as Solomon Probity in 'The Chimney Corner', Shanghai”, https://www.hpcbristol.net/visual/hd-s46; “Cast of 'The Chimney Corner', Shanghai, 1873”, https://hpcbristol.net/visual/hd-s43. The North-China Daily News (ed.). 22nd October 1874. p. 400: https://archive.org/details/north-china-herald-1874.10.22/page/400/mode/2up?q=Little. The North-China Daily News (ed.). 28th March 1879. p. 300: https://archive.org/details/north-china-herald-1879.03.28/page/300/mode/2up?q=Little. The North-China Daily News (ed.). 05th December 1925. p.452: https://archive.org/details/north-china-herald-1925.12.05/page/n33/mode/2up?q=1882. The North-China Daily News (ed.). 03rd August 1920. p.1: https://archive.org/details/north-china-herald-1920.08.03/page/n1/mode/2up?q=R.W.Little. The North-China Daily News (ed.). 11st November 1904. p.1086: https://archive.org/details/north-china-herald-1904.11.11/page/1086/mode/2up?q=Little. The North-China Daily News (ed.). 22nd April 1904. p.832: https://archive.org/details/north-china-herald-1904.04.22/page/832/mode/2up?q=Little. The North-China Daily News (ed.). 07th April 1905. p.22: https://archive.org/details/north-china-herald-1905.04.07/page/n21/mode/2up?q=A.D.C. The North-China Daily News (ed.). 24th May 1933. p.316: https://archive.org/details/north-china-herald-1933.05.24/page/316/mode/2up?q=R.W.Little. Manchester Museum (ed.): “A Remarkable Couple in China: Archibald and Alicia Little”, https://mmhellofuture.wordpress.com/2020/08/05/a-remarkable-couple-in-china-archibald-and-alicia-little/. The North-China Daily News (ed.). 29th May 1920. p.508: https://archive.org/details/north-china-herald-1920.05.29/page/508/mode/2up?q=R.W.Little. Robert William Little: Poems, New York: Cornell University Library 2009[1907].
Englischer Geschäftsmann in China; for some years past Reuter´s correspondent at Shanghai Organisator von Amateur Dramatic Club of Shanghai (A.D.C.) usw.. Ein veröffentlichtes Buch： Poems (Report of International Opium Commission held at Shanghai, Februar, 1909, 2 vola.)
Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/M/monfried-lazarus.htm https://congressforjewishculture.org/people/3065/Monfrid-Leyzer-August-1885-October-14-1955 Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1225.
Ancestry.com, “Einwanderung und Reisen: Alle Suchergebnisse für Minna Moscherosch Schmidt”, https://www.ancestry.de/search/categories/40/?name=Minna_Moscherosch+Schmidt&birth=1866&birth_x=0-0-0&gender=f. # Gerlinde Wicke-Nabe: „Das US-Erbe der berühmten Sindelfingerin“, Stuttgarter Nachrichten, 09.12.2018, https://www.stuttgarter-nachrichten.de/inhalt.sindelfingen-das-us-erbe-der-beruehmten-sindelfingerin.bc4cdd5d-f1f0-4fae-8f0f-6055dffd2c8d.html. # Gerlinde Wicke-Nabe: „Die Abenteurerin und der Schultheiß“, Stuttgarter Nachrichten, 13. 07. 2019, https://www.stuttgarter-nachrichten.de/inhalt.sindelfinger-biennale-die-abenteurerin-und-der-schultheiss.16c71b66-6d96-406c-9543-f9e9e6290dbc.html. # Evanston Women´s History Project: „Minna Schmidt“, https://evanstonwomen.org/woman/minna-schmidt/.
Part of the Strakosch family, the “sugar barons”. Director of various theatres in Stockholm, Florence, Barcelona, Paris, Rome etc.
Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/W/wallerstein-ella.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.65.
Konservatorium der Gesellschaft der Musikfreunde
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/adler-stella.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.29.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/berger-leon.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.2.
Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Paul List, Leipzig 1903 Oberösterreichische Nachrichten. 12. November 1946, S. 3. https://anno.onb.ac.at/cgi-content/anno?aid=oon&datum=19461112&seite=3&zoom=33
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Carolina González Velasco. “Una pandilla de truhanes y un cándido público: el negocio de los espectáculos teatrales, Buenos Aires, 1920”. Revista Nuevo Mundo, 2010. https://doi.org/10.4000/nuevomundo.60069. Online, https://journals.openedition.org/nuevomundo/60069
Österreichisches Biographisches Lexikon 1815–1950
buried in the evangelic cemetery Wien Matzleinsdorf
He conducted the world premiere of Parsifal in Bayreuth at the Bayreuther Festspiele 1882
Opera Singer,Soprano, Vocal Teacher, Harpist
Adolf Philipp Petitions for Naturalization, Soundex Index to Petitions for Naturalization filed in Federal, State, and Local Courts located in New York City, 1792-1989. New York, NY, USA: The National Archives at New York City, via ancestry.comAdolf Philipp Passport Application, National Archives and Records Administration (NARA); Washington D.C.; NARA-Serie: Passport Applications, January 2, 1906 - March 31, 1925, roll 2468 - Certificates: 391350-391849, 10 Apr 1924-11 Apr 1924, via ancestry.com John Koegel: Adolf Philipp and Ethnic Musical Comedy in New York’s Little Germany, in: American Music (2006) 24 (3): 267–319. https://doi.org/10.2307/25046034
Composer, Librettist, Theater Manager, Actor
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 3900.Alexander Rausch: „Ress, Ehepaar‟, in: Oesterreichisches Musiklexikon online, https://dx.doi.org/10.1553/0x00075a4e
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/seidenberg-leon.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.771.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/shliferstein-adolf.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.4964.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/S/singer-fishel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.792.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/T/timianoff-adolf.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.881.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/T/tornberg-samuel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.858.
Buried in Mount Zion Cemetery, Radom section
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/ziegler-rosa.htm Jewish Telegraphic Agency, February 1930: https://www.jta.org/archive/samuel-rosenstein-yiddish-actor-dies-in-chicago Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.769.
Albrecht, Hermine. In: Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Band 1, Verlag der Österreichischen Akademie der Wissenschaften, Wien 1957, S. 13.
https://de.wikipedia.org/wiki/Hermine_Albrecht
İstanbul Encyclopedia – Sermet Muhtar Alus, https://istanbulansiklopedisi.org/handle/rek/4328 Atatürk Encyclopedia – İbrahim Hamaloğlu, “Mösyü Antuvan: 1858-1943 Fransız Tiyatrocu ve Darülbedayii Osmani’nin İlk Müdürü” https://ataturkansiklopedisi.gov.tr/detay/1519/Mösyö-Antuvan-(1858-1943) “Mösyö “Antuvan”la Mülakat”, İctihad, sayı 113, 3 Temmuz 1330/15 Temmuz 1914, İstanbul. (Salt Arşivi/Salt Archives FFT541022)
MGG – Online. Auber, Daniel-François-Esprit: https://www.mgg-online.com/articles/mgg00689/1.1/mgg00689 Adolph Kohut: Auber. Reclam, Leipzig 1892: https://www.digitale-sammlungen.de/de/view/bsb11557194?page=,1
Ludwig Eisenberg: Großes biographisches Lexikon der Deutschen Bühne im XIX, Leipzig:List 1903, S. 484. Paul Ullrich: Theater, Tanz und Musik im Deutschen Bühnenjahrbuch. Ein Fundstellennachweis von biographischen Eintragungen, Abbildungen und Aufsätzenaus dem Bereich Theater, Tanz und Musik, die von 1836 bis 1984 im Deutschen Bühnenjahrbuch, seinen Vorgängern oder einigen anderen deutschen Theaterjahrbüchern erscheinen sind, Berlin: Berlin Verlag Arno Spitz Bd. 1 1985. Wilhelm Kosch: Deutsches Theater-Lexicon. Biographisches und bibliographisches Handbuch. Bd 1 Klagenfurt u. Wien: Kleinmayer 1953. Genossenschaft Deutscher Bühnen-Angehörige (ed): Neuer Theater Almanach für das Jahr 1890,Berlin: Günther & Sohn 1890.
Cabaret artist, operetta,Schlager author, director, actor,emcee
1911 she got the Verdienstmedaille des Königs in Gold
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/M/merkur-wolf.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1379.
Rieger, Eva / Steegmann, Monica (Hg.): Göttliche Stimmen: Lebensberichte berühmter Sängerinnen von Elisabeth Mara bis Maria Callas, Insel Verlag, Frankfurt a. Main 2002
died at her estate Craig-y-Nos (which she bought as Baroness Cederström after her retirement), in Brecknock, Wales; Burial: Père Lachaise Cemetery in Paris (according to her wish)
Although by the time she applied for a U.S. passport she had shaved a few years off and gave 1860 as her year of birth. Died in New York City (Roosevelt Hospital); Burial: Greenwood Cemetery, Brookly NY
Theaterdirector, Filmdirector, Intendant,Theaterproducent,Theaterfounder
(buried at the Bayreuther Stadtfriedhof)
The Krokever Yidish Teater in Poland was under Jonas a subsidy by the Krakow municipal government awarded. Most of WWII he spend in the Warsaw Ghetto. There he worked with the underground resistance.After the war he was involved in the Jewish organizations that arose in Poland. One of the first Yiddish radio programs in Poland was his doing.
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 208.Ludwig Eisenberg: Großes biographisches Lexikon der Deutschen Bühne im XIX. Jahrhundert. List: Leipzig 1903, p. 4.
Husband of Else Bassermann, died at or near the Zurich Airport, soon after his flight from the United States had arrived. He was 85. He is buried in Mannheim.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/berkowitz-yitzhak-dov.htm https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/berkowitz-yitzhak-dov https://en.wikipedia.org/wiki/Isaac_Dov_Berkowitz Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.21.
Other Scource: christened on 27 May 1837
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/nomberg-hersh-dovid.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1405.
Buried in Okopowa Street Jewish Cemetery, Warsaw
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 3899.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/axelrad-avraham.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.86.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Fundación Konex. Joaquín Gomez Bas. Online, https://www.fundacionkonex.org/b1078-joaquin-gomez-basWikipedia: Joaquín Gomez Bas. Online, https://es.wikipedia.org/wiki/Joaqu%C3%ADn_G%C3%B3mez_BasIMDb: Joaquín Gomez Bas. Online, https://www.imdb.com/de/name/nm0350863/Joaquín Gomez Bas, Todo Tango, online, https://www.todotango.com/english/artists/info/642/Joaquin-Gomez-Bas
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Joaquín Gómez Bas.jpg
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/black-yetta.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.173.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/goldenberg-itsikl.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.273.
Andrea Harrandt: Jäger (-Wilczek), Familie. In: Oesterreichisches Musiklexikon. Online-Ausgabe, Wien 2002 , http://www.musiklexikon.ac.at/ml/musik_J/Jaeger_Familie_2.xmlLudwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Leipzig: List 1903, pp. 468- 469. Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 2217.
Performer, Manager, Actress, Travelling Actress
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/R/rosenblum-adolf.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.504.
Pianist, Vocal Coach, Impresario ,Opera Director
He sang the role of Alfred under the baton of Johann Strauss at the 200th performance of Die Fledermaus on May 15, 1888. His most famous role was that of Mathias Freudhofer in Kienzl's opera Der Evangelimann, which he created at the Munich premiere in 1896, was the only singer to embody for twenty years, and was impressed by the composer's performance.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Wikipedia. Roberto Casaux. Online, https://es.wikipedia.org/wiki/Roberto_Casaux Wikipedia. Guillermo Battaglia. Online, https://es.wikipedia.org/wiki/Guillermo_Battaglia
Theater actor, opera singer baritone, opera director ,theater manager
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/gilrod-louie.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.478.
Buried in Mount Hebron Cemetery, Flushing, Queens, New York
Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Leipzig: List 1903, pp. 468- 469. Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 2217.
died in Long Island, New York; Burial: Evergreen Cemetery Brooklyn
Internet Broadway Database, Ida Kaminska: https://www.ibdb.com/broadway-cast-staff/ida-kaminska-9557
Ida Kaminska became internationally known because of her role in the Czech film “Obchod na Korze” . The film won an Academy Award in 1965 and Kaminska was nominated for Best Actress in the following year.
died in Hollywood, California; Burial: Forest Lawn Memorial Park, Glendale, Los Angeles County, California
Report of the Forrest divorce case: containing the full and unabridged testimony of all the witnesses, the affidavits and depositions, together with the Consuelo and Forney letters, New York : De Witt & Davenport, 1852, https://archive.org/details/reportofforrestd00forr/page/8/mode/2up. # Chris Enss: Wild Women of The West: Catherine Norton Sinclair, 25 Mai 2022, https://cowgirlmagazine.com/wild-women-of-the-west-catherine-norton-sinclair-1/.
born near London, died Staten Island, buried Silver Mount Cemetery, Staten Island
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zayderman-david.htm Center for Jewish History: https://archives.cjh.org/repositories/7/archival_objects/1270758 Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.771.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/David Zayderman.png
He received a Rubinstein stipend of 1,000 guilders per year.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.4.Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/abramovich-bina.htm YIVO Archives: Bina Abramowitz, http://yivoarchives.org/index.php?p=core/search&subjectid=32657&collection=allphotos
Charlotte Macdonald: The book of New Zealand women (First ed.). Wellington: Williams 1992. Simpson, Adrienne: “Alda, Frances”, Dictionary of New Zealand Biography, https://teara.govt.nz/en/biographies/3a9/alda-frances. The New York Times : "Frances Alda Dies. Former Met Star. 21 Years Before Retiring in 1929. Sang 40 Roles. A Gatti-Casazza Protege. Came to U.S. With Milanese Impresario in 1908. Stricken by Brain Hemorrhage".. 19th Septembre 1952, New York. The New York Times: “Mme. Frances Alda Wed To Ray Vir Den. Former Opera. Singer Bride Of New York Advertising M”an". 15th April 1941, New York. The New York Times: “Singers Back From Europe: Mme. Frances Alda and Anna Case, Also Spalding, Violinist.”,18th Septembre 1920, New York. The New York Times; “New Manon Heard.: Frances Alda Appears in Massenet's Opera”, 27th February 1909, New York.Charlotte Macdonald: The book of New Zealand women (First ed.). Wellington: Williams 1992.Simpson, Adrienne: “Alda, Frances”, Dictionary of New Zealand Biography, https://teara.govt.nz/en/biographies/3a9/alda-frances.The New York Times : "Frances Alda Dies. Former Met Star. 21 Years Before Retiring in 1929. Sang 40 Roles. A Gatti-Casazza Protege. Came to U.S. With Milanese Impresario in 1908. Stricken by Brain Hemorrhage".. 19th Septembre 1952, New York.The New York Times: “Mme. Frances Alda Wed To Ray Vir Den. Former Opera. Singer Bride Of New York Advertising M”an". 15th April 1941, New York.The New York Times: “Singers Back From Europe: Mme. Frances Alda and Anna Case, Also Spalding, Violinist.”,18th Septembre 1920, New York.The New York Times; “New Manon Heard.: Frances Alda Appears in Massenet's Opera”, 27th February 1909, New York.
wrote an autobiographie Men, Women, & Tenors she was proud tob e native from New Zealand and sang sometimes in Maori.
born on Ponte Sesto, Mailand, died in Posillipo or Mergellina, Naples
Impresario, entrepreneur, theatre director,artist agent
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 585.Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert.,List: Leipzig 1903, p. 127.
Actor, Director, Screenwriter, Cutter, Composer, Comedian, Film producer
Tito Livio Foppa: Diccionario Teatral del Río de laPlata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Wikipedia: Manuel Domínguez Santamaría, online: https://gl.wikipedia.org/wiki/Manuel_Dom%C3%ADnguez_Santamar%C3%ADaGastón Borges: “Memorias de las tablas: Teatro del Pueblo”, La diaria cultura, 24 February 2023, online: https://ladiaria.com.uy/cultura/articulo/2023/2/memoria-de-las-tablas-teatro-del-pueblo/Aldo Roque Difilippo: “Teatro del Pueblo: escuela y semilla actoral. Los albores del teatro independiente uruguayo”, Letralia, Año XI • Nº 150, 9 October 2006 Cagua, Venezuela, online: https://letralia.com/150/entrevistas01.htm
Arthur Pougin: Marietta Alboni. Paris 1912.
Callipo, Daniela Mantarro. O Teatro Musicado Francês No Rio De Janeiro Oitocentista: sucesso, ruína, aplausos e críticas. In.: Miscelânea, Assis, v. 31, 2022, p. 49-64: https://seer.assis.unesp.br/index.php/miscelanea/article/view/2211 Callipo, Daniela Mantarro. De vedete à poeta: a trajetória de Rose Méryss. In Miscelânea, Assis, v. 24, p. 145-163, jul.-dez., 2018. https://seer.assis.unesp.br/index.php/miscelanea/article/view/1222 Mencarelli, Fernando. A voz e a partitura: teatro musical, indústria e diversidade cultural no Rio de Janeiro (1868-1908). Doctoral thesis in history. Campinas, IFCH/Unicamp, 2003: https://repositorio.unicamp.br/acervo/detalhe/280448 Neves, Larissa de Oliveira. A opereta francesa e o teatro brasileiro: uma proposta de pesquisa. In.: Cadernos Letra e Ato, v.5, 2015, p.60-68. https://www.publionline.iar.unicamp.br/index.php/letraeato/article/view/328 (Hemeroteca of Brazilian National Library) Diário do Rio de Janeiro. 20th June 1867. Ed. 00156. Rio de Janeiro, p.3.https://memoria.bn.br/DocReader/DocReader.aspx?bib=094170_02&pesq=%22Joseph%20Arnaud%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=21959 Diário do Rio de Janeiro. 27th September 1874. Ed. 00267. Rio de Janeiro, p.3.https://memoria.bn.br/DocReader/DocReader.aspx?bib=094170_02&pesq=%22Joseph%20Arnaud%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=32174Diário do Rio de Janeiro. 24th August 1875. Ed. 00234. Rio de Janeiro, p.3.https://memoria.bn.br/DocReader/DocReader.aspx?bib=094170_02&pesq=%22Joseph%20Arnaud%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=33482Diário do Rio de Janeiro. 14th August 1873. Ed. 00223. Rio de Janeiro, p.3.https://memoria.bn.br/DocReader/DocReader.aspx?bib=094170_02&pesq=%22Joseph%20Arnaud%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=30556 Diário do Rio de Janeiro. 11th April 1877. Ed. 00095. Rio de Janeiro, p.3.https://memoria.bn.br/DocReader/DocReader.aspx?bib=094170_02&pesq=%22Joseph%20Arnaud%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=35920 Jornal da Tarde : Folha Politica e Noticiosa. 22nd February 1878. Ed. 00044. Rio de Janeiro, p.3.https://memoria.bn.br/DocReader/DocReader.aspx?bib=748919&pesq=%22Joseph%20Arnaud%22&pasta=ano%20187&hf=memoria.bn.br&pagfis=1175
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/bell-adolf.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.191.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/F/feigenberg-rachel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.5152.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/rachel faigelberg.jpg
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/goldenburg-samuel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.271.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/samuel goldenburg.jpg
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 1841.
Litoff, Judy Barrett, and Judith McDonnell. European immigrant women in the United States: a biographical dictionary. New York & London: Garland Publishing: 1994, p.139-141.
Ludwig Eisenberg: Paul Kalisch. In: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Paul List, Leipzig 1903
Ernst II of Saxe-Coburg-Gotha appointed him a chamber singer after he hear him singing at the festival in Wiesbaden
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/antsipovitsh-riva.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 6, Mexico City: 1969, p.4881.
Thomas Blubacher: Else Basserman. In: Andreas Kotte (ed.): Theaterlexikon der Schweiz, vol 1, Chronos, Zürich 2005, p. 128. https://de.findagrave.com/memorial/104714687/elisabeth-sara-bassermann
Sie ist auf dem Hauptfriedhof in Baden-Baden beerdigt.
Theatermuseum Wien, www.theatermuseum.at/de/object/512210/
Alfred von Wurzbach: Bogumil Dawison. Zeitgenossen. Biographische Skizzen von Alfred von Wurzbach, XI. Heft, Wien u. a. 1871 Ludwig Eisenberg: Großes biographisches Lexikon der Deutschen Bühne im XIX. Jahrhundert. Verlag von Paul List, Leipzig 1903, pp. 176-179 "Erinnerungen an Bogumil Dawiso", in: Blätter für Musik, Theater und Kunst , 14. May 1872, p. 154 Kürschner, Joseph, "Dawison, Bogumil" in: Allgemeine Deutsche Biographie 4 (1876), pp. 787-789 ]; https://www.deutsche-biographie.de/pnd118524097.html#adbcontent Peter Kollek: Bogumil Dawison. Porträt und Deutung eines genialen Schauspielers. Henn 1978.
Bastos, Sousa. A Carteira do Artista. Apontamentos para a História do Theatro Portuguez e Brazileiro. Lisboa: Antiga Casa Bertrand-José Bastos, 1898.Mencarelli, Fernando. A voz e a partitura: teatro musical, indústria e diversidade cultural no Rio de Janeiro (1868-1908). Tese (Doutorado em História). Campinas, IFCH/Unicamp, 2003: https://repositorio.unicamp.br/acervo/detalhe/280448 Prado, Décio de Almeida. História Concisa do Teatro Brasileiro: 1570-1908. EdUSP, 1999.(Newspapers of Hemeroteca Nacional Website):Gazeta de Notícias. 21st March 1885. Ed. 00080. Rio de Janeiro, p.2:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_02&pesq=%22Carrancini%22&pasta=ano%20188&hf=memoria.bn.br&pagfis=8390 O Fluminense. 7th April 1886. Ed. 01229. Niterói, p.4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=100439_02&pesq=%22Carrancini%22&pasta=ano%20188&hf=memoria.bn.br&pagfis=3896 Gazeta de Notícias. 11th January 1886. Ed. 00011. Rio de Janeiro, p.2:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_02&pesq=%22Carrancini%22&pasta=ano%20188&hf=memoria.bn.br&pagfis=9734 O Paiz. 17th January 1910. Ed. 09236. Rio de Janeiro, p.4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=178691_04&pesq=%22Carrancini%22&pasta=ano%20191&hf=memoria.bn.br&pagfis=272 O Paiz. 20th Fabruary 1913. Ed. 10363. Rio de Janeiro, p.4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=178691_04&pesq=%22Carrancini%22&pasta=ano%20191&hf=memoria.bn.br&pagfis=15589 O Paiz. 9th November 1911. Ed. 09895. Rio de Janeiro, p.5:https://memoria.bn.br/DocReader/DocReader.aspx?bib=178691_04&pesq=%22Carrancini%22&pasta=ano%20191&hf=memoria.bn.br&pagfis=9164 O Paiz. 21th March 1913. Ed. 10392. Rio de Janeiro, p.12:https://memoria.bn.br/DocReader/DocReader.aspx?bib=178691_04&pesq=%22Carrancini%22&pasta=ano%20191&hf=memoria.bn.br&pagfis=15997 Correio da Manhã. 8th May 1918. Ed. 07012. Rio de Janeiro, p.5:https://memoria.bn.br/DocReader/DocReader.aspx?bib=089842_02&pesq=%22Carrancini%22&pasta=ano%20191&hf=memoria.bn.br&pagfis=35214
Charles Eyre Pascoe: The Dramatic List: A Record of the Principal Performances of Living Actors and Actresses of the British Stage with Criticisms from Contemporary Journals, The Temple Publishing Company: London, 1880, p. 8-9.# Matthew Somerville: Theatralica, https://the atricalia.com/person/anc/g-w-anson.# The Broadway League: Internet Broadway Database, https://www.ibdb.com/broadway-cast-staff/g-w-anson-76638.
Burial: Green-Wood Cemetery, Brooklyn, King’s County, New York
One of the best singer of wagner Operas in her time. Her voice is served on more than 100 Schellackplatten and Mapleson-Zylindern. Died as the consequences of a car accident (she was in Germany for searching new singer for her company)
Beth Painter: Biography of Alexander Pantages, in Find a grave, https://de.findagrave.com/memorial/2093/alexander-pantages # Bringing Back Broadway (ed.): The Arcade Theatre (1910), https://bringingbackbroadway.com/the-arcade-theatre # Daniel Statt: Pantages, Alexander (1876-1936), in HistoryLink.org, Mai 03, 2001, https://www.historylink.org/file/2999. Hellenica World (ed.): Alexander Pantages, https://www.hellenicaworld.com/Greece/Person/en/AlexanderPantages.html # Michael Gates: Hollywood in the Klondike: Dawson City's Great Film Find, Madeira Park, BC: Lost Moose 2022, pp. 118–125, 135, 140–141 # Pantages Theatre Archive (PTA) (ed.): “The Life of Alexander Pantages”, the J. Willard Marriott Librar, https://pta.lib.utah.edu/alexander-pantages/ # Paul R. Spitzzeri: The Sexual Assault Trial of Alexander Pantages, Los Angeles, October 1929, October 10, 2018, https://homesteadmuseum.blog/2018/10/10/the-sexual-assault-trial-of-alexander-pantages-los-angeles-october-1929/ # Taso G. Lagos: American Zeus: The Life of Alexander Pantages, North Carolina: McFarland 2018 # The San Diego History Center (ed.): The Pantages, https://sandiegohistory.org/collection/photographs/pantages/ # Theodore Saloutos: “Alexander Pantages, Theater Magnate of the West”, in The Pacific Northwest Quarterly, Washington: University of Washington Oct. 1966, Vol. 57, No. 4, pp. 137-147 # Water and Power Associates (ed.): Pantages Theatre (Hollywood), https://waterandpower.org/Museum2/Pantages_Theatre_(Hollywood).html
Neue Deutsche Biographie Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 4273-4274.
Jeannine Henderson-Shifflett: „ Sophie Tucker, The Last of the Red-Hot Mamas”, connecticuthistory.org, May 18, 2022, https://connecticuthistory.org/sophie-tucker-the-last-of-the-red-hot-mamas/. Ancestry.com, Passenger list, https://www.ancestry.com/search/collections/1068/?name=_Abuza&departure=1887-9&departure_x=0-0-0&name_x=1_1&pcat=img_passlists&geo_a=r&geo_s=us&geo_t=us&geo_v=2.0.0&o_lid=62916&o_sch=Partners&o_xid=62916, und https://www.ancestry.de/search/categories/40/?name=Sofia+Kalish_Abuza&birth=1887&count=50&gender=f.
Burial: Emanuel Synagogue Cemetery, Wethersfield, Connecticut
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/beckerman-berish.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.195.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Osvaldo Pellettieri: Historia del Teatro argentino en Buenos Aires. La segunda modernidad (1949-1976), Buenos Aires. Galerna 2003. Jesús Piernas. "Nicolás de las Llanderas Fraga" in Tebeosfera 2022. [Online-edition]: https://www.tebeosfera.com/autores/llanderas_nicolas_de_las.html Wikipedia. Nicolás de las Llanderas. Online, https://es.wikipedia.org/wiki/Nicol%C3%A1s_de_las_Llanderas
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Nicolás de las Llanderas.jpg
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/E/epstein-fannie-vadya.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1591.
Carlos María Romero Sosa. “Una escritora entre dos mundos”, La Prensa. July 3, 2016, https://www.laprensa.com.ar/445642-Una-escritora-entre-dos-mundos.note.aspx. Monografías: Inmigración a la Argentina 1850-1960: escritores, https://www.monografias.com/trabajos32/inmigracion-escritores/inmigracion-escritores. Centro PEN Argentina (ed.): Diccionario de autores argentinos 1810-1960, Buenos Aires, 2020, online: https://www.autores.centropen.com.ar/jespersen-de-adeler-olga-1877-1968/ https://www.olhus.dk/getperson.php?personID=I28741&tree=tree1 Johnnys Slægtsforskning: “Olga Jespersen”, online: https://finnholbek.dk/getperson.php?personID=I42550&tree=2 Skeel, Schaffalitzky og Ahlefeldt: „Olga Jespersen“, online: https://finnholbek.dk/getperson.php?personID=I42550&tree=2My Heritage: “Johannes Adeler”, online: https://www.myheritage.de/names/johannes_adeler Geneanet: “Olga Jespersen”, online: https://gw.geneanet.org/lap65200?lang=de&pz=andreas+markus&nz=golzer&p=olga&n=jespersen
https://www.goodreads.com/author/show/5071265.Olga_de_Adeler <o:p></o:p>
Burial: Mount Pleasant Cemetery, Hawthorne (Westchester County)
Ballet Dancer, Pantomime Artist, Film Actor,Director
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/nozyk-itzhak.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1394.
He started concert tours as a pianist all around Europe at the age of eleven.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zilberberg-wolf.htm Papers of Peretz Hirschbein; RG 833; folder number; YIVO Institute for Jewish Research. https://archives.cjh.org/repositories/7/resources/3273 Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.777.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/belavsky-morris.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.164.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Lily Franco: Rita Carbajo y los teatros porteños, Buenos Aires: Academia Porteña del Lunfardo 1999. Leopoldo Zuloaga: Antología de obras de teatro argentino desde sus orígenes a la actualidad: 1860-1877: obras de la organización nacional, con prólogo de Beatriz Seibel, Buenos Aires: Instituto Nacional del Teatro 2008. Susana Llahí, María de los Ángeles Sanz, Teatro para niños, su historia desde los orígenes, Luna Teatral 2, https://lunateatral2.wordpress.com/2014/01/04/origenes-del-teatro-para-ninos-en-buenos-aires/ Buenos Aires Historia: Arnaldo J. Cunietti-Ferrando: El teatro de la Alegría, online edition, https://buenosaireshistoria.org/juntas/el-teatro-de-la-alegria/
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Carbajo, Rita.jpg
https://buenosaireshistoria.org/juntas/el-teatro-de-la-alegria/
Matteo Paoletti: La red de empresarios europeos en Buenos Aires (1880-1925). Algunas consideraciones preliminaries. Revista Argentina de Musicología, Vol. 21 Nro. 1 (2020): 51-76.Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. William Garrett Acree Jr.: Staging Frontiers. The Making of Modern Popular Culture in Argentina and Uruguay, University of New Mexico Press 2019.
WERNECK, Maria Helena; REIS, Angela de Castro (org.). Rotas de Teatro: entre Portugal e Brasil. Rio de Janeiro: 7Letras, 2012.
Actor, Director, Impresario,Theatre Teacher
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/E/entin-joel.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1577.
liver cancer. He is buried in the St. Wolfgang cemetery
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/J/juvelier-kalmen.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.909.
Ludwig Eisenberg: Großes Biographisches Lexikon der Deutschen Bühne. Leipzig 1903
The Sydney Mail and New South Wales Advertiser. "Her Majesty's Theatre," 13th October 1888, p. 761: https://trove.nla.gov.au/newspaper/article/161891040.#South Australian Register. "Shipping Intelligence," 30th October 1890, p. 4: https://trove.nla.gov.au/newspaper/article/47261486.#Kaori Kobayashi: "Touring in Asia: The Miln Company's Shakespearean Productions in Japan," in Shakespeare and his Contemporaries in Performance, edited by Edward J. Esche. Routledge 2016, pp. 53-72.#Bai Sun: “The First Wave of Shakespearean Productions Given by Touring Troupes in Shanghai: A Historical Survey Based on Materials Preserved in The North-China Herald and The North-China Daily News (III),” in Journal of Humanities Across the Straits, September 2021, pp.81-88.#Eric Irvin: "George Crichton Miln: an individualist on the Australian stage". Australasian Drama Studies (19): 1991, 94–106.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/nathanson-charles.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1401.
(Immediately after a "Meistersinger" performance Pollini died of cardiac paralysis)
Ludwig Eisenberg: Malvina Schnorr von Carolsfeld. In: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Paul List, Leipzig 1903
Part of the family Strakosch, “the sugar barons”.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/T/tanzman-avraham-itzhak.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.852.
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 208.
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 616.
https://www.wikidata.org/wiki/Q948
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/D/davidov-david-II.htm https://en-arts.tau.ac.il/theatre/David Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.538.
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 1400.The New York Times: “Quick Change at Oera.: Mme. Farrar's Illness Forces Substitution of "Rigoletto" for "Carmen."”, 5th march 1916, New York.
At the age of 40 she finished her career on stage. She was friends with the German crown prince and his family in Berlin.
After a concert with Pauline Viardot in Wiesbaden, she contracted pneumonia during a train journey with her children to visit her husband in St Petersburg and died in a hotel in Berlin. Burried in Paris, Friedhof Père Lachaise
Opera singer,coloratura soprano, soprano sfogato
Burial: Kensico Cemetery, Valhalla, New York
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/neroslavska-esther.htm https://forward.com/life/204501/how-one-yiddish-actress-was-blocked-from-stardom/ Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.143.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zibel-ela.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.767.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Operas Colón: Di Napoli Vita, Vicente, online, http://www.operas-colon.com.ar/new/items/show/634.
listing of St Helier Baptisms from 1842 to 1909, https://www.theislandwiki.org/index.php/St_Helier_baptisms_1842-1909_Fagg_to_Fielding. # Ancestry.com. George B. Fentum, https://www.ancestry.ca/search/?name=George+Benjamin_Fentum&event=_Singapore&pg=3&birth=9&count=50&location=3257.3250&name_x=_1&priority=english. # Zubillaga-Pow Jun, Chee-Kong Ho: The Singaporean Soundscape, Singapore: National Library Board 2014, https://de.scribd.com/document/242878621/The-Singaporean-Soundscape#. # North China Herald. “Passengers”, 06th September 1873, p. 204: https://archive.org/details/north-china-herald-1873.09.06/page/204/mode/2up?q=G.+B.+Fentum. # North China Herald. “Passengers”, 09th September 1876, p. 1: https://archive.org/details/north-china-herald-1876.09.09/page/n1/mode/2up?q=G.+B.+Fentum. # North China Herald. 24th August 1878, p. 190: https://archive.org/details/north-china-herald-1878.08.24/page/190/mode/2up?q=G.+B.+Fentum. # North China Herald. 28th September 1883, p. 386: https://archive.org/details/north-china-herald-1883.09.28/page/386/mode/2up?q=G.+B.+Fentum. # North China Herald. 09th July 1886, p. 34: https://archive.org/details/north-china-herald-1886.07.09/page/34/mode/2up?q=G.+B.+Fentum. # The Musical World. 18th March 1865, p. 157: https://archive.org/details/sim_musical-world_1865-03-18_43_11/page/156/mode/2up?q=G.+B.+Fentum. # Brief Summary of Country News. 01st May 1865, p. 61: https://archive.org/details/jstor-3354790/page/n3/mode/2up?q=G.+B.+Fentum. # The Magazine of Music. May 1891, p. 93: https://archive.org/details/sim_magazine-of-music_1891-05_8_5/page/92/mode/2up?q=G.+B.+Fentum. # The Musical Times. “Music in Australia”, 01st March 1896, p. 189: https://archive.org/details/sim_musical-times_1896-03-01_37_637/page/188/mode/2up?q=Fentum. # The Pipe Organ in China Project. “G.B. Fentum (1843-1914): British Organist in Singapore, Shanghai, and Australia,” http://organcn.org/blog/g-b-fentum-1843-1914-british-organist-in-singapore-shanghai-and-australia/.
Opera singer,Leading Soprano, Artistic Director, Vocal advisor,teacher
died five days after his appointment as Court Theatre Director), burried at Döblinger Friedhof in Wien (honorary grave)
Blanche Whiffen: Keeping off the shelf, New York, Dutton 1928. # Internet Broadway Database(ed.): Alfred Kelleher, https://www.ibdb.com/broadway-production/the-grand-duchess-445245.
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 2907.Barbara Boisits, Art. „Marchesi, Ehepaar‟, in: Oesterreichisches Musiklexikon online, https://dx.doi.org/10.1553/0x0001d8a6The New York Times: „ Blanche Marchesi Coming: The Singer Is a Passenger on the Umbria -- Her Ideas and Aspirations.”, 1st january 1899, New York.The New York Times; “Music Heard Yesterday: Miss Blanche Marchesi's First Song Recital at Mendelssohn Hall”, 26th January 1899, New York.The New York Times: “Music Heard Yesterday: Mme. Blanche Marchesi's Farewell Song Recital at Carnegie Hall.”16th March 1899, New York.Chicago Daily Tribune: “Opera Season Is Over.: Ellis Company Closes A Successful Engagement. Manager and Milward Adams Both Declare the Performances at the Auditorium Have Been Satisfactory Both Artistically and Financially--Pleased with M. Alvarez's Success-Matinee Production of "Carmen" a Spirited, One. Pleased with Alvarez's Reception. Season a Satisfactory One. Blanche Marchesi Song Recital. PROGRAM.“ 26th February 1899, Chicago.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/nadolsky-sonia.htm Center for Jewish History : https://archives.cjh.org/repositories/7/archival_objects/1286065 https://forward.com/life/208686/throwback-thursday-the-actress-who-could-hold-her/ Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/N/nadolsky-leon.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1387.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/sonya nadolsky.jpg
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/V/vaksman-morris.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.66.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zinger-yosef.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.791.
Beatriz Seibel: Historia del circo. Buenos Aires, Ediciones del Sol 2005. Raúl H. Castagnino: Circo, teatro gauchesco y tango. Buenos Aires, Instituto Nacional de Estudios de Teatro 1981 “Manuel Padín” https://everipedia.org/wiki/lang_en/manuel-padin Lily Franco: “El circo criollo” https://www.magicasruinas.com.ar/revdesto064b.htm
Actor, Magician,Circus Performer, Photographer
Faria, J. R. (2008). Machado de Assis e os estilos de interpretação teatral de seu tempo. Revista USP, v.77, p.135-148 : https://doi.org/10.11606/issn.2316-9036.v0i77p135-148 Faria, J. R.. O teatro realista no Brasil: 1855-1865. 1989. Doctoral dissertation (Doutorado em Literatura Brasileira) - Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 1990 : https://doi.org/10.11606/T.8.1990.tde-18102022-131721 Stark, A. C. A mulher ausente: a presença de Maria Velluti (1827-1891) no teatro brasileiro. Urdimento - Revista de Estudos em Artes Cênicas, Florianópolis, v. 1, n. 34, p. 280-305, 2019. DOI: 10.5965/1414573101342019280 : https://www.revistas.udesc.br/index.php/urdimento/article/view/1414573101342019280.
Actor, Dancer, Playwright, English Teacher, Translator
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 4945.The Observer: “The Early Life and Personal Apperance of Madmoiselle Wagner”, 26th April 1852, London.Erwin Angermayer: Große Frauen der Weltgeschichte. Tausend Biographien in Wort und Bild. Verlag Kaiser, Klagenfurt 1987, pp.242.
Paula E. Hyman (Hrsg.): Jewish women. A comprehensive historical encyclopedia
Burial: Mount Hebron Cemetery, Flushing NY
other sources: 25 March 1835 in Langenargen
Eisenberg, Ludwig: Großes Biographisches Lexikon der Deutschen Bühne. Verlagsbuchhandlung Paul List. Leipzig 1903
Marcela García Sebastiani. “La eficacia de las redes y los resultados de los vínculos: las elites de los emigrantes españoles en la Argentina (1862-1923)”. Revista Complutense de Historia de América, Madrid: Ediciones Complutense, 2005, pp. 147-176. Real Academia de la Historia. “Justo Sanjurjo López de Gomara”. Madrid, online: https://dbe.rah.es/biografias/12298/justo-sanjurjo-lopez-de-gomara. Genealogía Familiar. “Justo Sanjurjo López de Gomara”. Buenos Aires, online: https://www.genealogiafamiliar.net/getperson.php?personID=I684054&tree=BVCZ. Tomás Gismera Velasco. “Justo S. López de Gomara: Brihuega en el corazón”. Guadalajara: Henares al Día, 2017, onlinehttps://henaresaldia.com/justo-s-lopez-gomara-brihuega-corazon/
He was employed as a Journalist in several newspapers, and simultaneously he wrote many plays, short stories, and poems. He embodied the role of an intellectual, who combined different artistic and moral talents. Justo S. López de Gomara wrote 28 theatre plays; he was one of the precursors of the Argentinian National Theater and the sainete genre (Sebastiani: 2005, P.168), Buried in Recoleta Cemetery, Buenos Aires
Andrea Harrandt: Jäger (-Wilczek), Familie, in: Oesterreichisches Musiklexikon. Online-Ausgabe, Wien 2002 ff., OEML: http://www.musiklexikon.ac.at/ml/musik_J/Jaeger_Familie_2.xmlKarl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 2217. Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Leipzig: List 1903, pp. 468- 469.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zeifert-moshe.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.772.
Universität Hamburg, Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit (LexM): https://www.lexm.uni-hamburg.de/object/lexm_lexmperson_00002560 Wikipedia, Carl Ebert: https://tr.wikipedia.org/wiki/Carl_Ebert Cevad Memduh Altar: https://www.cevadmemduhaltar.itu.edu.tr/carl-ebertin-turk-tiyatro-ve-operasina-katkisi.html Dogramaci, Burcu. „Faust“ für Ankara – Carl Ebert im türkischen Exil. In Musiktheater im Exil der NS-Zeit, edited by Peter Petersen and Claudia Maurer Zenck, 35–64. Hamburg: von Bockel Verlag, 2007.
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Passenger Search of The Statue of Liberty - Ellis Island Foundation: Ernestine Schumann-Heink, login required, https://heritage.statueofliberty.org/passenger-details/czoxMzoiOTAxMTk4Mzk1ODAxOSI7/czo5OiJwYXNzZW5nZXIiOw==, and https://heritage.statueofliberty.org/passenger-details/czoxMjoiMTA1MDk2MDIwMTc3Ijs=/czo5OiJwYXNzZW5nZXIiOw==.
born Libeň, Bohemia, Austrian Empire, died in Hollywood, California; Burial: Greenwood Memorial Park in San Diego
Sabine Zolchow, Johanna Muschelknautz (eds.): Ich mache alles mit den Beinen … Der Schauspieler Curt Bois. Vorwerk 8, Berlin 2001
In other sources: 1873 Place: Broža
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/E/elkin-mendl.htm https://congressforjewishculture.org/people/2322/Elkin-Mendl-April-9-1874-April-22-1962 Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.1572.
Frederick William: Autograph collection of Frederick W., Boston: C.F. Libbie 1901, p. 47, https://archive.org/details/autographcollect00freniala/page/46/mode/2up?q=Boothroyd+Fairclough. T. Allston Brown: A history of the New York stage from the first performance in 1732 to 1901, New York: Dodd, Mead and Co. 1903, https://archive.org/details/ahistorynewyork05browgoog/page/404/mode/2up?q=Boothroyd+Fairclough. North China Herald. 31st August 1878, p.216: https://archive.org/details/north-china-herald-1878.08.31/page/216/mode/2up?q=Boothroyd+Fairclough. Bai Sun: “The First Wave of Shakespearean Productions Given by Touring Troupes in Shanghai: A Historical Survey Based on Materials Preserved in The North-China Herald and The North-China Daily News,” in Journal of Humanities Across The Straits, March 2021, pp. 103-114. National Library of New Zealand, Page 8 Advertisements Column 8, https://paperspast.natlib.govt.nz/newspapers/NZH18901119.2.53.8.
geboren Unter St. Veit bei Wien, buried at the Waldfriedhof in München, his tombstone was designed by Fritz Behn (he had a heart attack during his 100th Tristan conducting and died as a result a few days later)
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/V/vaksman-fanny.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.661.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zigenlaub-william.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.77.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/T/teitelbaum-abraham.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.875.
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zibel-frida.htm "Shund on Shellac or Gimpel’s Theatre, Lemberg: The Sounds of a Popular Yiddish Theatre Preserved on Gramophone Records 1904–1913 April 17, 2024" : https://forgottengalicia.com/shund-on-shellac-or-gimpels-theatre-lemberg/ Jewish Music Research Centre: https://jewish-music.huji.ac.il/index.php/en/content/frida-zibel-goldstein Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.767.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/frida zibel.jpg
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Daniel Balmaceda, “La historia de Bieckert, cerveza y mucho más”, Forbes Argentina, 3rd September 2019, [online], https://www.forbesargentina.com/editorial/la-historia-bieckert-cerveza-mucho-mas-n1325 Wikipedia: Emilio Bieckert, online, https://es.wikipedia.org/wiki/Emilio_Bieckert Family Search: Jean Émile Bieckert, online, https://ancestors.familysearch.org/de/G3W6-M59/jean-emile-bieckert-1837-1913 Juan Pablo Estévez, “La historia de Bieckert: la primera fábrica de cerveza argentina que vendió hasta malta para embarazadas”, online, https://www.clarin.com/gourmet/historia-bieckert-primera-fabrica-cerveza-argentina-vendio-malta-embarazadas_0_6MRExDXla.html Ecured: Teatro Odeón Buenos Aires, online, https://www.ecured.cu/Teatro_Ode%C3%B3n_(Buenos_Aires) Wikipedia: Teatro Odeón (Buenos Aires), online, https://es.wikipedia.org/wiki/Teatro_Ode%C3%B3n_(Buenos_Aires)
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 616.Ludwig Eisenberg: Otto Brucks. in: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. List: Leipzig 1903, p. 131Wiener Staatsoper: Aufführungsarchiv, https://archiv.wiener-staatsoper.at/search/person/9469
Opera Singer,Soprano, Bass, Tenor, Opera Director, Theatre Director, Singing Teacher
Auf dem Waldfriedhof in München, Neuer Teil, im Grab Nr. 246-W-23 beigesetzt
Jens Malte Fischer: Gustav Mahler. Der fremde Vertraute. Paul-Zsolnay-Verlag, Wien 2003
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 2909.Barbara Boisits;. „Marchesi, Ehepaar‟, in: Oesterreichisches Musiklexikon online, https://dx.doi.org/10.1553/0x0001d8a6The Observer: „Music“, 19th July 1863, London.The Observer: „Music“, 13th July 1863, London.
Born of Italian nobility; gave up officer's career in 1840 and began to study singing; fled to North America in 1848 as a participant in the revolution.
Part of the family Strakosch, the so called “sugar barons”, who helped to shape Viennese cultural life. From 1880 he undertook his great recitation tours, which took him all over the world (Austria-Hungary, Germany, Russia, England, Holland, Italy, Turkey, 1887 and 1888 America).
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 3-4. Wiener Staatsoper: Aufführungsarchiv, https://archiv.wiener-staatsoper.at/search/person/7243 Fremdenblatt - Organ für die böhmischen Kurorte, 8th July 1888, p. 2: https://anno.onb.ac.at/cgi-content/anno?aid=fbl&datum=18880708&query=%22Abendroth+Karlsbad%22~25&ref=anno-search&seite=2
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 614.Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Leipzig: List 1903, p. 1169. The Manchester Guardian: “Prince's Theatre: The Carl Rosa Company in "Carmen"”, 23th septembre 1898, Manchester.The Manchester Guardian: „Classified Ad 29 -- No Title“, 3rd Octobre 1896, Manchester.The Observer: “The Musical World”, 2nd April 1899, London.The Observer: “The Musical World: Carl Rosa Opera Queen's Hall Promenade Concerts”, 24th January, 1897, London.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Colecciones Teatrales: El desaparecido Teatro Buenos Aires, online, https://coleccionesteatrales.blogspot.com/2016/01/el-teatro-buenos-aires-muino-y-alippi.html Fundación Internacional Carlos Gardel: 1923 El viejo mundo, online, https://fundacioncarlosgardel.org/biografia/1923-el-viejo-mundo Dossier Carlos Gardel: Gardel en su debut en España, online, https://dossiercarlosgardel.blogspot.com/2010/11/gardel-en-su-debut-en-espana.html
Birth date unclear: March 8, 18 or 19, 1872, (sources range from 1865-1873)
Singer, Actress, Performer, Stage Actor, Film Actor
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 555-556.Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert.,List: Leipzig 1903, pp. 117-118.
He was most famous for the embodiment of the buffo roles
Fernandes, Carolina; Bulgarelli, Lais; Furtado, Mariana; Palermo, Suzana. Conheça Rose Villiot francesa eleita a primeira atriz de opereta do Rio de Janeiro. Ed.1, Unicamp, 2015 :https://viewer.joomag.com/rose-villiot-rose-villiot/0235382001448545438?page=3 Mencarelli, Fernando. A voz e a partitura: teatro musical, indústria e diversidade cultural no Rio de Janeiro (1868-1908). Doctoral thesis in history. Campinas, IFCH/Unicamp, 2003: https://repositorio.unicamp.br/acervo/detalhe/280448 (Newspapers of Hemeroteca Nacional Website):Jornal do Commercio (RJ). 24th December 1871. Ed. 00355, Rio de Janeiro, p.5:http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_06&pesq=%22rose%20villiot%22&hf=memoria.bn.br&pagfis=3883
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/W/weintraub-simcha.htm Center for Jewish History: https://archives.cjh.org/agents/people/120505 Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.687.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Simcha Weintraub.png
STARK, Andrea Carvalho. Augusta Candiani no Rio Grande do Sul: a trajetória artística de uma cantora lírica e atriz durante a guerra do Paraguai. In.: Revista do Instituto Histórico e Geográfico do Rio Grande do Sul. n. 161, 2021: https://seer.ufrgs.br/revistaihgrgs/article/view/111527 (Newspapers of Hemeroteca Nacional Website):Jornal do Commercio. 10th February 1844. Ed. 00039, Rio de Janeiro, p.2: http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_03&pesq=augusta%20candiani&hf=memoria.bn.br&pagfis=5928 Jornal do Commercio. 18th October 1850. Ed. 00286, Rio de Janeiro, p.4: http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_04&pesq=%22augusta%20candiani%22&pasta=ano%20185&hf=memoria.bn.br&pagfis=1306 Jornal do Commercio. 12th August 1875. Ed. 00223, Rio de Janeiro, p.8:http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_06&pesq=%22augusta%20candiani%22&hf=memoria.bn.br&pagfis=11657 O Album Semanal : Chronologico, Litterario, Critico e de Modas. 8th Februar 1852. Ed. 00025, N. 14, Rio de Janeiro, p.1:http://memoria.bn.br/DocReader/DocReader.aspx?bib=701092&pesq=%22augusta%20candiani%22&pasta=ano%20185&hf=memoria.bn.br&pagfis=111 O Album Semanal : Chronologico, Litterario, Critico e de Modas. 2nd May 1852. Ed. 00025, N. 25, Rio de Janeiro, p.1: http://memoria.bn.br/DocReader/DocReader.aspx?bib=701092&pesq=%22augusta%20candiani%22&pasta=ano%20185&hf=memoria.bn.br&pagfis=200 Gazeta de Noticias. 27th Februar 1890. Ed. 00058, Rio de Janeiro, p.2:http://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_03&pesq=%22augusta%20candiani%22&pasta=ano%20189&hf=memoria.bn.br&pagfis=270 Gazeta de Noticias. 26th March 1890. Ed. 00085, Rio de Janeiro, p.5:http://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_03&pesq=%22augusta%20candiani%22&pasta=ano%20189&hf=memoria.bn.br&pagfis=423
Passenger Search of The Statue of Liberty - Ellis Island Foundation, Weiss, Erich, login required, https://heritage.statueofliberty.org/passenger-details/czoxMzoiOTAxMjIzNTc3NDM3NyI7/czo5OiJwYXNzZW5nZXIiOw==. Passenger Search of The Statue of Liberty - Ellis Island Foundation, Houdini, Harry, login required, https://heritage.statueofliberty.org/passenger-result. Britannica.com, Harry Houdini | Biography & Facts | Britannica, https://www.britannica.com/biography/Harry-Houdini.
Ludwig Eisenberg: Elise Stephanie Kreuzer. In: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Paul List, Leipzig 1903
Digital collections: "Images related to Annie Russell", https://digitalcollections.nypl.org/search/index?keywords=Annie+Russell#. Ancestry. com, “Einwanderung und Reisen: Alle Suchergebnisse für Annie Russel“, https://www.ancestry.de/search/categories/40/?name=Annie_Russel&birth=1864_england-grossbritannien_3251&birth_x=0-0-0&gender=f.
buried in St. Stephen's Cemetery in Millburn, New Jersey
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/adler-sam.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.3.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Sam Adler.jpg
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Enric Juliana, “Opinión” in: La Vanguardia. Catalonia, 21 January 2021 [online edition], https://conversacionsobrehistoria.info/2021/01/21/la-maldicion-de-joan-comorera/Real Academia de la Historia: Juan Comorera Soler, online, https://dbe.rah.es/biografias/4760/joan-comorera-solerWikipedia: Joan Comorera, online, https://en.wikipedia.org/wiki/Joan_ComoreraDossier Carlos Gardel: Gardel en su debut en España, online, https://dossiercarlosgardel.blogspot.com/2010/11/gardel-en-su-debut-en-espana.html
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Juan Comorera.jpg
Laura Mogliani (comp.): Entre la tradición y lamodernidad. Historia del Instituto Nacional de Estudios de Teatro (1936-2022),Buenos Aires: Ministry of Culture of Argentina 2023. Federico Peltzer: Homenaje a Alfredo de la Guardia ensu centenario. Online,https://www.letras.edu.ar/wwwisis/index/arti/Boletin1999-253-254_433-440.pdf pp. 433-440. Consello da Cultura Galega, Fondos Documentais, Online,https://consellodacultura.gal/fondos_documentais/epistolarios/persoas.php?p=1844 Instituto Nacional de Estudios de Teatro (INET): Revistade Estudios de Teatro, Online, https://inet.cultura.gob.ar/noticia/revista-de-estudios-de-teatro/Tito Livio Foppa: Diccionario Teatral del Río de laPlata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.
Laura Mogliani (comp.): Entre la tradición y la modernidad. Historia del Instituto Nacional de Estudios de Teatro (1936-2022), Buenos Aires: Ministry of Culture of Argentina 2023. <o:p></o:p>
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 2029-2030.Boston Daily Globe: ”Her First Boston Appearance.: Frieda Hempel, Coloratura Soprano, Here to Sing Rosina in Tonight's Opera.”, 20th January 1913, Boston.Chicago Daily Tribune: “Chicago to Share Galli-Curci with Metropolitan: Frieda Hempel Engaged for Next Season Here.”, 9th February 1921, Chicago.Chicago Daily Tribune: “American Now: Manager Puts German Born Opera Singer Under Protection of Stars and Stripes.”, 9th June 1918, Chicago.Chicago Daily Tribune:”Miss Hempel Is Star of "Lucia" Revival.”, 8th January 1914, Chicago.Chicago Daily Tribune: “News of Musical Events: Miss Frieda Hempel Has Triumph in "Traviata."”, 6th January 1914, Chicago.The Los Angelos Times: She Looks Her Roles, Too.: Coloratura Star of Chicago Opera.”, 31st march 1921, Los Angelos.The New York Times: “Frieda Hempel Wed; is American Citizen: Metropolitan Opera Star, Born in Germany, Marries Wm. B. Kahn in St. James's Lutheran Church”., 9th June 1918, New York.The New York Times: “Frieda Hempel Robbed.: Gems Were Stolen on Train, Now Apartment Is Ransacked”,29th April 1918, New York. The New York Times: “Opera Stars Regret Break: "Sorry, Because I Love America," Says Frieda Hempel;-All Mozart Day.”, 4th February 1917, New York.The New York Times: “Frieda Hempel Sings Eva.: Wins Great Success in "Die Meistersinger" -- Mme. Homer, Magdalene”., 28th march 1914, New York.The New York Times: “Les Huguenots' at Metropolitan: First Appearance in America of Miss Frieda Hempel, Coloratura Soprano. Handsome Scenic Outfit A Cast in Which Excellent Singers Were Not Heard to Their Best Advantage”., 28th Decembre 1912, New York.The New York Times: “Mme. Frieda Hempel ill.: Coloratura Soprano May Not Appear at the Metropolitan”,.30th October 1912, New York.The New York Times: “ Opera Novelities For Metropolitan: " Boris Gudounow," a Russian Work, by Moussorgsky, and "Cyrano de Bergerac." Then "Madame Sans-Gene" Season to Open with "The Magic Flute," with Frieda Hempel, Coloratura Soprano -- Other New Singers.”, 7th August 1912, New York.The New York Times: “Frieda Hempel Coming: Engaged for Metropolitan at Salary Said to be $60,000 a Season.”, 24th December 1911, New York.The Washington Post: “Frieda Hempel is Bride.: Becomes American Citizen and Will Continue to Sing in Opera.”, 9th June 1918, Washington.The Washington Post: “Kreisler Barred from Youngstown: Engagement of Frieda Hempel Also Is Canceled.”, 11th novembre 1917, Washington.The Washington Post: “DIVA LE
She devoted herself entirely to concert singing and became famous in particular for her 'Jenny Lind concerts' (the first of which she gave in October 1920 to mark the centenary of the great singer's birth), in which she performed in the centers of American musical life in costume and with the repertoire of the unforgettable Swedish singer.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Virginia Sánchez Rodríguez. “María Barrientos, la diva olvidada” in The Conversation: May 6th 2019. [Online-edition]: https://theconversation.com/maria-barrientos-la-diva-olvidada-115272 Real Academia de la Historia. María Barrientos. Online: https://dbe.rah.es/biografias/8054/maria-barrientos Biografías y vidas. María Barrientos. Online: https://www.biografiasyvidas.com/biografia/b/barrientos_maria.htm Ecured. María Barrientos. Online: https://www.ecured.cu/Mar%C3%ADa_Barrientos Wikipedia. María Barrientos. Online, https://es.wikipedia.org/wiki/Mar%C3%ADa_Barrientos
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Barrientos, María.jfif
Karl Richter: Conried, Heinrich. In: Neue Deutsche Biographie (NDB). Band 3, Duncker & Humblot, Berlin 1957, ISBN 3-428-00184-2, S. 341 f. (https://daten.digitale-sammlungen.de/0001/bsb00016319/images/index.html?seite=357). Cohn Heinrich. In: Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Band 1, Verlag der Österreichischen Akademie der Wissenschaften, Wien 1957, S. 150. https://www.biographien.ac.at/oebl_1/150.pdf Grange William: The Astonishing Career of Heinrich Conried. In: Paul S. Ulrich, Gunilla Dahlberg, Horst Fassel (Hrsg.), Im Spiegel der Theatergeschichte : deutschsprachiges Theater im Wechsel von Raum und Zeit, Thalia Germanica Band 15. Berlin / Münster: Lit 2015. S. 225–
Unknown photographer, Newspaper "Der Tag“, 29 May 1902, p. 7.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Óperas Colón: Da Rosa, Faustino. Online, https://http://www.operas-colon.com.ar/new/items/show/652 Gabriela Neme: "Tucumán está destinada a ser como Niza, joya del Mediterráneo": la fascinante historia del Teatro San Martín. Online, https://www.eltucumano.com/noticia/libre/295169/tucuman-esta-destinada-a-ser-como-niza-joya-del-mediterraneo-la-fascinante-historia-del-teatro-san-martin 18. Faustino Da Rosa. Online, https://margaritaxirgu.es/castellano/vivencia/18darosa/darosa.htm
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Faustino da Rosa.jpg
https://margaritaxirgu.es/castellano/vivencia/18darosa/darosa.htm <o:p></o:p>
Raúl H. Castagnino, “Pablo Raffetto, el Bárnum Genovés” in Castagnino: El circo criollo. Buenos Aires: Ed. Plus Ultra 1969. pp. 48-65. Beatriz Seibel, “La escena de la Organización Nacional: compañías europeas” in: Historia del Teatro Argentino. Desde los rituales hasta 1930, Buenos Aires: Corregidor 2002. pp. 132-262. Fray Mocho. “El famoso Raffetto”. 23th January 1914. N°91. Buenos Aires. José J. Podestá. Medio siglo de farándula. Memorias de José J. Podestá. Buenos Aires: Subsecretaría de Cultura, 1986. pp. 21-54 Arnaldo J. Cunietti-Ferrando, “El famoso Raffetto”. IV. N°18. Historias de la ciudad. Buenos Aires: 2002 https://buenosaireshistoria.org/juntas/el-famoso-raffetto/
Namechange 1869-12-19 till 1913-04-06, buried in Buenos Aires, Argentina
http://historiaycuriosidadesdelilusionismo.blogspot.com/2009/11/una-de-circo-el-40-onzas-y-los-magos.html<o:p></o:p>
Circus Performer, Director, Impresario, Founder
Billboard (ed.): 1919-01-25: Vol 31 Iss 4, https://archive.org/details/sim_billboard_1919-01-25_31_4/page/8/mode/2up?q=Martin+Beck+dies.St. Louis Post-Dispatch (ed.): 1940-11-16: Vol 93 Iss 72, https://archive.org/details/per_st-louis-post-dispatch_1940-11-16_93_72/page/n3/mode/2up?q=Martin+Beck+dies.Los Angeles Times 1940-11-17: Vol 59, https://archive.org/details/sim_los-angeles-times_los-angeles-times_1940-11-17_59/page/n7/mode/2up?q=Martin+Beck%2C+Producer+1884. The New York Times (ed.): "Martin Beck Dies. Theatre Veteran. Manager, Producer and Actor, Builder of the Palace, Stricken Here at 71. Began Orpheum Circuit. Headed Variety Group in West for 27 Years. Came to U.S. as Immigrant at 18". November 17, 1940, https://www.nytimes.com/1940/11/17/archives/martin-beck-dies-theatre-veteran-manager-producer-and-actor-builder.html.Britannica (ed.): “Martin Beck, American theatre manager, owner, and impresario”, https://www.britannica.com/biography/Martin-Beck.American Experience (ed.): "Martin Beck (1867-1940)", https://www.pbs.org/wgbh/americanexperience/features/houdini-beck/.
https://en.wikipedia.org/wiki/Martin_Beck_(vaudeville), buried in Salem Fields Cemetery, Brooklyn, New York
Drew, Louisa (Lane). Autobiographycal sketch of Mrs. John Drew, New York: Charles Scribner‘s Sons, 1899, https://archive.org/details/autobiographica00taylgoog/page/n8/mode/2up # Litoff, Judy Barrett, and Judith McDonnell. European immigrant women in the United States: a biographical dictionary. New York & London: Garland Publishing: 1994.
born Lambeth Parish, London died in Larchmont Manor, New York; burial: Mount Vernon Cemetery, Philadelphia, Pennsylvania
Callipo, Daniela Mantarro. As Grandes Estrelas do Alcazar Lyrique do Rio De Janeiro: A Edificação De Um Mito. In.: Historiæ, Rio Grande, v. 8, n. 2, p. 31-46, 2017: https://periodicos.furg.br/hist/article/download/7908/5162/22630 Callipo, Daniela Mantarro. O Teatro Musicado Francês no Rio De Janeiro Oitocentista: sucesso, ruína, aplausos e críticas. In.: Miscelânea, Assis, v. 31, p. 49-64, 2022: https://seer.assis.unesp.br/index.php/miscelanea/article/view/2211 SALGADO, Suzana. The Teatro Solis: 150 years of Opera, Concert and Ballet in Montevideo. USA: Wesleyan University Press, 2003. (Newspapers of Hemeroteca Nacional Website):Correio Mercantil, e Instructivo, Politico, Universal. 30th December 1859. Ed. 00356, Rio de Janeiro, p.4: https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&pesq=%22pauline%20lyon%22&pasta=ano%20185&hf=memoria.bn.br&pagfis=17060 Courrier Du Brésil : Politique, Litterature, Revue des Theatres, Sciences et Arts, Industrie, Commerce. 4th September 1859. Ed. 00036, Rio de Janeiro, p.8: https://memoria.bn.br/DocReader/DocReader.aspx?bib=709719&pesq=%22pauline%20lyon%22&pasta=ano%20185&hf=memoria.bn.br&pagfis=1418 Jornal do Commercio. 9th June 1897. Ed.00159, Rio de Janeiro, p.1: https://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_08&pesq=%22pauline%20lyon%22&pasta=ano%20189&hf=memoria.bn.br&pagfis=25028 Correio Mercantil, e Instructivo, Politico, Universal. 25th July 1856. Ed. 00204, Rio de Janeiro, p.4.https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22pauline%20lyon%22&pagfis=12143 Correio Mercantil, e Instructivo, Politico, Universal. 1st March 1859. Ed. 00060, Rio de Janeiro, p.2.https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22pauline%20lyon%22&pagfis=15868Correio Mercantil, e Instructivo, Politico, Universal. 4th August 1860. Ed. 00215, Rio de Janeiro, p.4.https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22pauline%20lyon%22&pagfis=17922 L'Écho du Brésil : Et de L'Amerique du Sud - Ce Journal parait tous dimanches. 19th February 1860. Ed. 00043, Rio de Janeiro, p.15.https://memoria.bn.br/DocReader/DocReader.aspx?bib=386189&pesq=%22pauline%20lyon%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=701 Entreacto : Jornal Illustrado com retratos e caricaturas. 12nd May 1860. Ed. 00002, Rio de Janeiro, p.5.https://memoria.bn.br/DocReader/DocReader.aspx?bib=758817&pesq=%22pauline%20lyon%22&pasta=ano%20186&hf=memoria.bn.br&pagfis=9O Mercantil. 13rd J
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zhelazo-leyzer.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.797.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Leyzer Zhelazo.png
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/arnstein-mark.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 5, Mexico City: 1967, p.4414.
In 1905 he was invited by the Fonotipia label to make one of the earliest recordings in history. The artist is said to have lost his entire fortune through speculation - with the exception of a small farm in southwestern France, the Château de Lartus, where he retired.
Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Manuel Aznar Soler, “El Caracol y la Sala Rex (1928-1929)”, online: https://www.revistapausa.cat/el-caracol-y-la-sala-rex-1928-1929/ Ministerio de Cultura de España, Detalle del premiado Eusebio de Gorbea, online, https://www.cultura.gob.es/premiado/mostrarDetalleAction.do?prev_layout=premiadoResultado&layout=premiadoFicha&cache=init&language=es&id=24227 Eusebio de Gorbea Lemmi. Online, https://www.epdlp.com/escritor.php?id=16981 Wikipedia. Eusebio de Gorbea. Online: https://es.wikipedia.org/wiki/Eusebio_de_Gorbea_Lemmi
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Eusebio de Gorbea.jpg
https://es.wikipedia.org/wiki/Eusebio_de_Gorbea_Lemmi <o:p></o:p>
Faria, J. R. (2008). Machado de Assis e os estilos de interpretação teatral de seu tempo. Revista USP, (77), p. 135-148 : https://doi.org/10.11606/issn.2316-9036.v0i77p135-148 Faria, J. R. (2008). O teatro realista no Brasil: 1855-1865. 1989. Doctoral dissertation (Doutorado em Literatura Brasileira) - Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 1990 : https://doi.org/10.11606/T.8.1990.tde-18102022-131721 Gonçalves, M. C., & Messer Levin, O. (2017). Furtado Coelho e sua atuação no Teatro Ginásio Dramático, do Rio de Janeiro. Convergência Lusíada, v.25, n.32 : https://convergencialusiada.com.br/rcl/article/view/84 Junior, Luiz Americo Lisboa. Teatro português no Brasil : do Império à Primeira República. Master thesis (Mestrado em História, na especialidade de História e Cultura do Brasil) – Faculdade de Letras of University of Lisbon. Lisbon, 2020 : http://hdl.handle.net/10451/44149 Oliveira, Cláudia da Conceição Sousa Sales de. Ser actor : figurações nas memórias de actores portugueses nascidos no século XIX. PhD Thesis in Theatre Studies (Doutoramento em Estudos de Teatro) – Faculdade de Letras of University of Lisbon. Lisbon, 2021 : http://hdl.handle.net/10451/48198 Simões, Lucinda. Memorieas: factos e impressões. SA Litho-Typographia Fluminese, 1922.Sobrinho, Francisco Antonio Filgueiras. Estudos biográficos: Teatro I – Furtado Coelho. Pernambuco: R. de Mattos, 1863 : https://play.google.com/books/reader?id=7TAbAAAAYAAJ&pg=GBS.PA18&hl=pt Zambrano, Gustavo. A trajetória artística de Furtado Coelho nos palcos brasileiros: (1856-1867). Master's thesis defended at Universidade Estadual Paulista “Júlio de Mesquita Filho”, Instituto de Biociências, Letras e Ciências Exatas. São José do Rio Preto, 2018 : https://repositorio.unesp.br/handle/11449/152956
Actor, Impresario, Founder, Playwright, Composer
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Ecured, Lus Bayón Herrera, online: https://www.ecured.cu/Luis_Bay%C3%B3n_Herrera Orlando del Greco, Todo Tango, online: mso-themecolor:background1;mso-ansi-language:ES-AR">https://www.todotango.com/creadores/biografia/313/Luis-Bayon-Herrera/ Real Academia de la Historia, Luis Bayón Herrera,online: mso-ansi-language:ES-AR">https://dbe.rah.es/biografias/46506/luis-bayon-herrera Luis Perrière. Los vascos del tango. Online, https://rauldeloshoyos.com/luis-bayon-herrera-un-tropezon-raul-los-hoyos/
Beatrix Borchard: Amalie Joachim in Troppau und Hermannstadt. In: Freia Hoffmann (ed.): Reiseberichte von Musikerinnen des 19. Jahrhunderts: Quellentexte, Biographien und Kommentare. Hildesheim 2011, pp. 197–212. Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 5003-5004. Ludwig Eisenberg: Amalie Joachim. In: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert., Leipzig: List 1903, p. 483.
buried in Kaiser Wilhelm Memorial Cemetery in Berlin.
Tito Livio Foppa: Diccionario Teatral del Río de laPlata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Inmigración a la Argentina 1850-1960: escritores (página2), online, https://www.monografias.com/trabajos32/inmigracion-escritores/inmigracion-escritores2Wikipedia. Los afincaos. Online, https://es.wikipedia.org/wiki/Los_afincaosTodo colección. Aloisi, Enzo: El crimen de Liniers, online, https://www.todocoleccion.net/libros-antiguos-teatro/aloisi-enzo-crimen-liniers-comedia-policial-un-acto-cinco-cuadros-bambalinas-n-189~x40031348 James Troiano. “Life as Theater in Aloisi’s Nada dePirandello, por favor” in: Revista de literatura hispánica: No. 34, Article 15. [Online-Edition]: https://digitalcommons.providence.edu/inti/vol1/iss34/15Family Search. Enzo Aloisi, online: https://ancestors.familysearch.org/de/G2PG-T3L/enzo-luis-humberto-v%C3%ADctor-manuel-aloisi-1886-1975
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 681-682.Richard Dyer: Cahier, Mme Charles. In: Laura Williams Macy: The Grove Book of Opera Singers, Oxford: University Press, 2008 p. 69.The New York Times: “Music Here and There“, 17th Novembre 1912, New York.
She sang the premiere of Gustav Mahler's Lied von der Erde in Munich.
Blanche Whiffen: Keeping off the shelf, New York, Dutton 1928. Internet Broadway Database(ed.): Susan Galton in Broadway, https://www.ibdb.com/broadway-cast-staff/susan-galton-433825.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/图片 1.jpg
גאָלדפאדעןס טרופּע - Avraham Goldfaden's troupe
Callipo, Daniela Mantarro. De vedete à poeta: a trajetória de Rose Méryss. In Miscelânea, Assis, v. 24, p. 145-163, jul.-dez., 2018. https://seer.assis.unesp.br/index.php/miscelanea/article/view/1222 Prado, Décio de Almeida. História concisa do teatro brasileiro: 1570-1908. São Paulo: Editora da Universidade de São Paulo, 1999.Ruiz, Roberto. Teatro de revista no Brasil: do início a I Guerra Mundial. Rio de Janeiro : INACEN, 1988.
Actor, Customier, French Theacher, Painter, Writer, Hotel founder
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Wikipedia. Pierina Dealessi, online: https://es.wikipedia.org/wiki/Pierina_Dealessi Wikiwand. Pierina Dealessi, online: https://www.wikiwand.com/es/Pierina_Dealessi IMDb. Pierina Dealessi, online: https://www.imdb.com/name/nm0212663/
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Pierina Dealessi.jpg
https://www.imdb.com/name/nm0212663/I
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Carmen Fraga González. “Arturo Nemesio Eusevi Valladares. Labor artística en Madrid, Tenerife y Argentina” in: Guaraguao, No. 66/67, Canarias y América (2021), pp. 149-172 (24 pages), [Online Edition]: https://www.jstor.org/stable/27111235 Museo del Dibujo y la Ilustración: “Eusevi, Arturo Nemesio”, online, https://museodeldibujo.com.ar/obras_muestras/artistas.php?ida=140&a=Eusevi%2C+Arturo+Nemesio Arte de la Argentina: “Eusevi, Arturo Nemesio”, online, https://www.artedelaargentina.com.ar/disciplinas/artista/pintura/arturo-nemesio-eusevi
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Eusevi, Arturo Nemesio.jpg
https://museodeldibujo.com.ar/obras_muestras/artistas.php?ida=140&a=Eusevi%2C+Arturo+Nemesio <o:p></o:p>
North China Herald. 17th October, 1925, p. 105: https://archive.org/details/north-china-herald-1925.10.17/page/104/mode/2up?q=Mischa+Levitzki.
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Edward T. James (ed.): Notable American Women, 1607–1950, Cambridge, MA: The Belknap Press of Harvard University Press, 1971. Women in World History: A Biographical Encyclopedia of Reignolds, Catherine Mary (1836–1911), https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/reignolds-catherine-mary-1836-1911. Catherine Mary Reignolds-Winslow: Yesterdays with Actors, Boston, Cupples and Hurd, 1887, https://archive.org/details/yesterdayswitha00wins/page/n15/mode/2up.
Burial: Springfield Cemetery, Springfield, Hampden County, Massachusetts
PEREIRA, Esteves; RODRIGUES, Guilherme. Dicionário Histórico, Corográfico,Heráldico, Biográfico, Bibliográfico, Numismático e Artístico. Volume VII : https://www.arqnet.pt/dicionario/balsemao_rodrigues.htmlVASCONCELOS, Thaís. A trajetória de Lima Penante e o espaço teatral no Amazonas no século XIX. In.: ARTERIAIS, V.6, N.11, 2020 : https://periodicos.ufpa.br/index.php/ppgartes/article/view/11023 STARK, Andrea Carvalho. Sobre um retrato embaçado: a atriz e empresária Manuella Lucci (Lisboa – 18? – Belém do Pará – 1899). v. 21 (2021): XI Congresso da ABRACE. Seção História das Artes e do Espetáculo, 2016 : https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/5321 (Newspapers of Hemeroteca Nacional Website)Gazeta de Noticias. 27th June 1880. Ed. 00177, Rio de Janeiro, p.6: http://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_02&Pesq=%22helena%20balsem%c3%a3o%22&pagfis=863 Gazeta de Noticias. 13th August 1884. Ed. 00226, Rio de Janeiro, p.2:http://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_02&Pesq=%22helena%20balsem%c3%a3o%22&pagfis=7369 Gazeta de Noticias. 8th November 1884. Ed. 00313, Rio de Janeiro, p.2:http://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_02&Pesq=%22helena%20balsem%c3%a3o%22&pagfis=7776 Jornal do Commercio. 4th July 1877. Ed. 00184, Rio de Janeiro, p.6:http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_06&pesq=%22helena%20balsem%C3%A3o%22&hf=memoria.bn.br&pagfis=16242 Jornal do Commercio. 18th June 1878. Ed. 00164, Rio de Janeiro, p.5:http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_06&pesq=%22helena%20balsem%C3%A3o%22&hf=memoria.bn.br&pagfis=18611 Correio da Manhã. 12th February 1893.Ed. 02548, Lisboa, p.2:http://memoria.bn.br/DocReader/DocReader.aspx?bib=890529&pesq=%22helena%20balsem%C3%A3o%22&hf=memoria.bn.br&pagfis=11625 Jornal do Commercio. 21st April 1892. Ed. 00111, Rio de Janeiro, p.10:http://memoria.bn.br/DocReader/DocReader.aspx?bib=364568_08&pesq=%22Helena%20Balsem%C3%A3o%22&pasta=ano%20189&hf=memoria.bn.br&pagfis=7230 Correio Paulistano. 26th March 1895. Ed. 11517, São Paulo, p.2:http://memoria.bn.br/DocReader/DocReader.aspx?bib=090972_05&pesq=%22Helena%20Balsem%C3%A3o%22&pasta=ano%20189&hf=memoria.bn.br&pagfis=6153 O Commercio de São Paulo. 5th August 1900. Ed. 02291, São Paulo, p.1:http://memoria.bn.br/DocReader/DocReader.aspx?bib=227900&pesq=%22Helena%20Balsem%C3%A3o%22&pasta=ano%20189&hf=memori
Actress , Director, Theatre Entrepreneur,Trader
# Blanche Whiffen: Keeping off the shelf, New York, Dutton 1928. # Internet Broadway Database(ed.): Thomas Whiffen in Broadway, https://www.ibdb.com/broadway-cast-staff/thomas-whiffen-64703.
Callipo, Daniela Mantarro. As Grandes Estrelas Do Alcazar Lyrique Do Rio De Janeiro: A Edificação De Um Mito. In.: Historiæ, Rio Grande, v. 8, n. 2, p. 31-46, 2017: https://periodicos.furg.br/hist/article/download/7908/5162/22630 Menezes, Lená Medeiros de. (Re)inventando a noite: o Alcazar Lyrique e a cocotte comédiénne no Rio de Janeiro oitocentista. In.: Revista Rio de Janeiro, n. 20-21, jan.-dez, 2007. http://www.forumrio.uerj.br/publicacoes_fase3_n20_21.htm (Newspapers from American National Congress) The sun. 14th March 1896. New York, p. 7. https://www.loc.gov/resource/sn83030272/1896-03-14/ed-1/?sp=7&q=Aim%C3%A9e+Tronchon&r=-0.05,0.663,0.359,0.184,0 Public ledger. 20th March 1872. Memphis, Tennessee, p. 2. https://www.loc.gov/resource/sn85033673/1872-03-20/ed-1/?sp=2&q=+Aimee+actress&r=0.275,0.545,0.446,0.229,0 Salt Lake evening Democrat. 23rd May 1885. Salt Lake City, Utah, p.4 https://www.loc.gov/resource/sn85058117/1885-05-23/ed-1/?sp=4&q=+Aimee+actress&r=0.232,0.09,0.505,0.259,0 New York dispatch. 25th December 1870. New York, p.4. https://www.loc.gov/resource/sn85026214/1870-12-25/ed-1/?sp=4&q=+Aimee+actress&r=0.232,-0.036,1.18,0.605,0 New York dispatch. 29th October 1871. New York, p.5. https://www.loc.gov/resource/sn85026214/1871-10-29/ed-1/?sp=5&q=+Aimee+actress&r=0.019,0.068,0.277,0.142,0 New Orleans Republican. 18th February 1872. New Orleans, LA, p.5. https://www.loc.gov/resource/sn83016555/1872-02-18/ed-1/?sp=5&q=+Aimee+actress&r=0.079,-0.021,0.92,0.472,0 New York dispatch. 13rd October 1872. New York, p.8. https://www.loc.gov/resource/sn85026214/1872-10-13/ed-1/?sp=8&q=+Aimee+actress&r=0.157,0.422,0.219,0.112,0 Chicago tribune. 21st March 1872. Chicago, Ill., p.5. https://www.loc.gov/resource/sn82014064/1872-03-21/ed-1/?sp=5&q=+Aimee+actress&r=0.215,-0.072,0.544,0.279,0 New Orleans Republican. 9th February 1873. New Orleans, LA, p. 2. https://www.loc.gov/resource/sn83016555/1873-02-09/ed-1/?sp=2&q=+Aimee+actress&r=0.438,0.926,0.414,0.212,0 Evening star. 16th January 1873. Washington, D.C., p. 4. https://www.loc.gov/resource/sn83045462/1873-01-16/ed-1/?sp=4&q=+Aimee+actress&r=0.008,0.966,0.264,0.135,0 New York dispatch. 16th March 1873. New York, p.5. https://www.loc.gov/resource/sn85026214/1873-03-16/ed-1/?sp=5&q=+Aimee+actress&r=0.088,0.783,0.307,0.158,0 Memphis daily appeal. 15th March 1873. Memphis, Tenn., p.4. https://www.loc.gov/resource/sn83045160/1873-03-15/ed-1/?sp=4&q=+Aimee+actress&r=0.29,-0.048,0.534,0.274,0 New York dispatch. 13rd April 1873. New York, p.8. https://www.loc.gov/resource/sn85026214/1873-04-13/ed-1/?sp=8&q=+Aimee+actress&r=0.178,0.113,0.227,0.116,0 The Cincinnati daily star. 27th September 1879. Fourth Edition. Cincinnati, Ohio, p.4. https://www.loc.
Börnstein, Heinrich: Fünfundsiebzig Jahre in der Alten und Neuen Welt. Memoiren eines Unbedeutenden. Vol. 1 and 2, Leipzig: Otto Wigand 1881.Wienbibliothek im Rathaus: https://www.digital.wienbibliothek.at/name/view/2982632
Heinrich Börnstein, Visitenkarte, ca. 1873, Jean-Baptiste Feilner. Missouri Historical Society, St. Louis, Photographs and Prints Collection
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 1638-1639.The Observer: “The Early Life and Personal Apperance of Madmoiselle Wagner”, 26th April 1852, London./Riemens: Großes Sängerlexikon
Opera singer,baritone, singing teacher,music teacher
Santiago Sylvester, “Regina Pacini”, in Centro Virtual Cervantes, 15th November 2006, online https://cvc.cervantes.es/el_rinconete/anteriores/noviembre_06/15112006_01.htm “Regina Pacini”: Efemérides radicales. Hombres, mujeres y hechos de la Unión Cívica Radical día por día, online, http://www.efemeridesradicales.com.ar/Indice/R/Regina_Pacini/Regina_Pacini.html “Regina Pacini, la soprano portuguesa que abrazó y protegió a la cultura argentina”. Ministerio de Cultura Argentina, 6th January 2020, online, https://www.cultura.gob.ar/regina-pacini-la-soprano-portuguesa-que-abrazo-y-protegio-la-cultura-a-8662/ “La historia de amor de Marcelo T. de Alvear y Regina Pacini: un escándalo, una ceremonia a solas y un amor para toda la vida”, Infobae [Online-Edition] https://www.infobae.com/sociedad/2021/01/04/la-historia-de-amor-de-marcelo-t-de-alvear-y-regina-pacini-un-escandalo-una-ceremonia-a-solas-y-un-amor-para-toda-la-vida/ 1871-1965 Regina Pacini. https://casadelteatro.org.ar/regina-pacini/
died in Don Torcuato, Province of Buenos Aires
MGG Portmann, Werner, und Siegbert Wolf. „Ja, ich kämpfte“ : von Revolutionsträumen, „Luftmenschen“ und Kindern des Schtetls ; Biographien radikaler Jüdinnen und Juden. 1. Aufl. Münster: Unrast, 2006.
Operetta, Schlager Author, Director, Journalist, Actor,Emcee
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.Centro de Documentación e Investigación de la Cultura de Izquierdas. Diccionario Biográfico de las Izquierdas Latinoamericanas: “Giusti, Roberto F.”, online: https://diccionario.cedinci.org/giusti-roberto-f/Facultad de Filosofía y Letras de la Universidad de Buenos Aires. Filo Digital Archivos: “Giusti, Roberto”, online: http://archivos.filo.uba.ar/index.php/Detail/entities/665Fermín Estrella Gutiérrez, “Roberto F. Giusti: su vida, su obra”, Buenos Aires, Asociación Dante Alighieri, 1980.
E.W. Allen: The Biograph and Review, New York: the New York Public Library, 1879.
Sembrich traveled across the United States and Europe singing in major cities including Dresden, London, Madrid, Paris, St. Petersburg, New York. Burial: Johannisfriedhof Tolkewitz, Dresden, Germany
Belfort Palmeira, Natasha (2018). O entreato da belle époque: a cena nacional e luso-brasileira. Convergência Lusíada, v.28, n.37, p.58-68 : https://convergencialusiada.com.br/rcl/article/view/211 Oliveira, Cláudia da Conceição Sousa Sales de. Ser actor : figurações nas memórias de actores portugueses nascidos no século XIX. PhD Thesis in Theatre Studies (Doutoramento em Estudos de Teatro) – Faculdade de Letras of University of Lisbon. Lisbon, 2021: http://hdl.handle.net/10451/48198
Actor, Playwriter, Director, Cartoonist, Advertiser
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Z/zilberman-karl.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.783.
Fondazione Adkins Chiti: Donne in Musica, Sonstige. Le lombarde in musica. Roma: Colombo, 2009. Laura Macy. “Brambilla, Marietta.” The Grove Book of Opera Singers, 2nd ed., Oxford University Press, 2008. MGG
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Luis Perrière: Teatro, letras, letristas. Luis César Amadori, Raúl de los Hoyos-online, https://rauldeloshoyos.com/luis-cesar-amadori-raul-de-los-hoyos/ Busca Biografías: Luis César Amadori. Online: https://www.buscabiografias.com/biografia/verDetalle/7397/Luis%20Cesar%20Amadori Néstor Pinsón: Luis César Amadori, Todo Tango-online, https://www.todotango.com/creadores/biografia/508/Luis-Cesar-Amadori/ Diccionario de Directores del Cine Mexicano: Amadori, Luis César. Online, https://diccionariodedirectoresdelcinemexicano.com/directores-cine-mex/amadori-luis-cesar/
https://www.buscabiografias.com/biografia/verDetalle/7397/Luis%20Cesar%20Amadori <o:p></o:p>
Ludwig Eisenberg: Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert. Leipzig: List 1903, pp. 468- 469. # Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 2217. # Gedenktafel im Foyer des Bayreuther Festspielhauses, Bayreuther Festspiele 1876, (c) RWA Nationalarchiv Bayreuth, https://www.bayreuther-festspiele.de/festspiele/historie/ Wiener Staatsoper Archiv: https://archiv.wiener-staatsoper.at/search/person/8120
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/下载 (1).png
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961. Argentores: 1910-2000. 90 años. "Semblanzas. Alberto Novión", Buenos Aires: Sociedad General de Autores de la Argentina 2000. Alberto Novión. Edition and foreword by Osvaldo Pellettieri: Alberto Novión. La transición al grotesco criollo, Buenos Aires: Eudeba 2002. Nora Glickman and Gloria F. Waldman: Argentine Jewish Theatre: a critical anthology, Lewisburg: Bucknell Univ. Press 1996. María González Rouco: Alberto Novión: un vasco en escena. Online, https://letras-uruguay.espaciolatino.com/aaa/gonzalez_rouco_maria/alberto_novion.htm La Capital: Fotos de familia. El gran álbum de Mar del Plata. Online, https://www.lacapitalmdp.com/contenidos/fotosfamilia/fotos/8226Wikipedia. Alberto Novión. Online, https://es.wikipedia.org/wiki/Alberto_Novi%C3%B3n
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Alberto Novión.jpg
Argentores. 1910-2000. 90 años. Semblanzas. Alberto Novión: Sociedad General de Autores de la Argentina 2000. <o:p></o:p>
Stark, Andrea Carvalho. Sobre um retrato embaçado: a atriz e empresária Manuella Lucci (Lisboa – 18? – Belém do Pará – 1899). v. 21 (2021): XI Congresso da ABRACE. Seção História das Artes e do Espetáculo, 2016 : https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/5321 Salles, Vicente. Épocas do Teatro no Grão-Pará ou apresentação do teatro de época.Tomo 1. Belém: Ed. UFPA, 1994.Sousa Bastos, A Carteira do Artista. Apontamentos para a História do TheatroPortuguez e Brazileiro. Lisboa: Antiga Casa Bertrand-José Bastos, 1898.
(There are texts that state that she was Italian, having arrived in Brazil with her father at the age of three. The most states that she was born in Lisbon, daughter of Italian parents.)
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Manuella Lucci.png
Stark, Andrea Carvalho. Sobre um retrato embaçado: a atriz e empresária Manuella Lucci (Lisboa – 18? – Belém do Pará – 1899). v. 21 (2021): XI Congresso da ABRACE. Seção História das Artes e do Espetáculo, 2016 : https://www.publionline.iar.unicamp.br/index.php/abrace/article/view/5321
Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/B/ben-ami-jacob.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.184. Internet Broadway Database, Jacob Ben-Ami: https://www.ibdb.com/broadway-cast-staff/jacob-ben-ami-14154. Anna Quindlen: "Jacob Ben-Ami, Actor, Dies at 86; A Founder of Jewish Art Theater", The New York Times, 1977-07-23: https://www.nytimes.com/1977/07/23/archives/jacob-benami-actor-dies-at-86-a-founder-of-jewish-art-theater.html Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742)
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/W/weinstock-joseph.htm Center for Jewish History: https://archives.cjh.org/agents/people/121275 Kuligowska-Korzeniewska, Anna, and Edna Nahshon. “The Polish Shulamis: Jewish Drama On The Polish Stage In The Late 19th-Early 20th Centuries.” Jewish Theatre. vol. 8. United States: BRILL, 2009. p. 83.. Newspapers: The Hebrew Standarts, 13th June 1930, p.2: https://trove.nla.gov.au/newspaper/article/121835373?searchTerm=Joseph%20Weinstock Jewish Telegraphic Agency Archive : https://www.jta.org/archive/veteran-jewish-actor-drops-dead-in-milwaukee-theatre Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.69.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Joseph Weinstock.png
Place of burial: Lodz Jewish cemetery
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/F/feinman-sigmund.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 4, New York: 1963, p.2544.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Captura de Tela 2025-07-07 às 20.44.19.png
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.“Enrique Arellano”. Revista Chantecler: No 12, Córdoba, 1912, [Online Edition]: https://archivoteatrodecordoba.artes.unc.edu.ar/enrique-arellano-revista-chantecler-no12-cordoba-1912/ Patricia Verónica Fischer, “Elías Alipi” in: Osvaldo Pellettieri (dir): De Eduardo de Filippo a Tita Merello. Del cómico italiano al ‘actor nacional’ argentino. Buenos Aires: Galerna 2003. Jorge Dubatti: Cien años de teatro argentino. Desde 1910 hasta nuestros días, Buenos Aires: Editorial Biblios 2012. Wikipedia. Enrique Arellano, online: https://es.wikipedia.org/wiki/Enrique_Arellano “Pepe Cibrián y Ana María Campoy”, online: https://trujaman.net/2021/03/06/pepe-cibrian-y-ana-maria-campoy/
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/Y/young-bernard.htm Leksikon Fun Der Nayer Yidisher Literatur: https://congressforjewishculture.org/people/3926/Young,%20Boaz%20(March%201870%E2%80%93December%2020,%201955) Mayn lebn in teatr (My Life in the Theatre), Bernard Young, 1950: https://archive.org/details/nybc207961/page/n17/mode/2up Zalman Zylbercweig: Leksikon fun Yidishn Teater 2, Warsaw: 1934, p.914.
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Boaz Young1.png
Mayn lebn in teatr (My Life in the Theatre), Bernard Young, 1950: https://archive.org/details/nybc207961/page/n17/mode/2up
Englishromanticopera(ed.): The Pyne SistersMary Ann, Susan, Louisa, https://www.englishromanticopera.org/singers/Pyne_Sisters.htm.
Musician, Singer,Theatre Teacher, Manager
Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 2908-2909.Frost, Reinhard: Marchesi, Mathilde. Artikel aus der Frankfurter Biographie (1994/96) in: Frankfurter Personenlexikon (Onlineausgabe), https://frankfurter-personenlexikon.de/node/448
Oliveira, Cláudia da Conceição Sousa Sales de. Ser actor : figurações nas memórias de actores portugueses nascidos no século XIX. PhD Thesis in Theatre Studies (Doutoramento em Estudos de Teatro) – Faculdade de Letras of University of Lisbon. Lisbon, 2021: http://hdl.handle.net/10451/48198
Actor, Director, Theatre Teacher, Technician, Impresario
Ferreira, Aléxia Lorrana Silva. Jacinto Heller: Repertório de um empresário teatral (1875-1885). In.: Cadernos Letra e Ato, v.6, n.6: Unicamp publionline: Campinas, 2016, p.28-41: https://www.publionline.iar.unicamp.br/index.php/letraeato/article/view/585 Mencarelli, Fernando. A voz e a partitura: teatro musical, indústria e diversidade cultural no Rio de Janeiro (1868-1908). Doctoral thesis in history. Campinas, IFCH/Unicamp, 2003: https://repositorio.unicamp.br/acervo/detalhe/280448 Bastos, Sousa. A Carteira do Artista. Apontamentos para a História do Theatro Portuguez e Brazileiro. Lisboa: Antiga Casa Bertrand-José Bastos, 1898.(Newspapers of Hemeroteca Nacional Website):Correio da Manhã. 12th September 1931. Ed.11271, Rio de Janeiro, p.4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=089842_04&pesq=%22jacintho%20heller%22&pasta=ano%20193&hf=memoria.bn.br&pagfis=8507 Jornal do Brasil. 20th June 1905. Ed. 00171, Rio de Janeiro, p.4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=030015_02&pesq=%22jacintho%20heller%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=16856 Jornal do Brasil. 6th November 1909. Ed. 00310, Rio de Janeiro, p.12:https://memoria.bn.br/DocReader/DocReader.aspx?bib=030015_02&pesq=%22jacintho%20heller%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=35226Correio Mercantil, e Instructivo, Politico, Universal. 18th July 1855. Ed. 00207, Rio de Janeiro, p.3. https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22heller%22&pagfis=10690 Correio Mercantil, e Instructivo, Politico, Universal. 24th January 1856. Ed. 00024, Rio de Janeiro, p.4. https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22heller%22&pagfis=11417 Correio Mercantil, e Instructivo, Politico, Universal. 23th March 1856. Ed. 00082, Rio de Janeiro, p.4. https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22heller%22&pagfis=11651 Correio Mercantil, e Instructivo, Politico, Universal. 10th August 1856. Ed. 00229, Rio de Janeiro, p.4. https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22heller%22&pagfis=12243 Correio Mercantil, e Instructivo, Politico, Universal. 2nd Juny 1858. Ed. 00149, Rio de Janeiro, p.4. https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280&Pesq=%22heller%22&pagfis=14801 Correio Mercantil, e Instructivo, Politico, Universal. 20th November 1863. Ed. 00319, Rio de Janeiro, p.4. https://memoria.bn.br/DocReader/DocReader.aspx?bib=217280
Cemetery São João Batista, Rio de Janeiro
Place of Burial: Sleepy Hollow Cemetery, NY
MGG Online: https://www.mgg-online.com/articles/mgg01698/1.0/mgg01698Österreichisches Österreichisches Musiklexikon Online: https://musiklexikon.ac.at/ml/musik_B/Bodanzky_Brueder.xml Beaumont, Anthony (2000). “Zemlinsky”. Ithaca, NY: Cornell University Press. ISBN 0-8014-3803-9. Horowitz, Joseph (2005). Classical Music in America: A History of Its Rise and Fall. New York, NY: W. W. Norton and Company. ISBN 0-393-05717-8. Kwasny, Ralf; Ullrich Scheideler. "... und dem künstlerisch Mutigen fühle ich mich verwandt." Arnold Schönberg und sein früher Förderer Artur Bodanzky, in: ÖMZ 56 (2001), H. 3-4, S. 28–39. Nedbal, Martin; Czech-German Collaborations at the Metropolitan Opera in the Early Twentieth Century. Journal of Austrian-American History 18 May 2022; 6 (1): 14–43. doi: https://doi.org/10.5325/jaustamerhist.6.1.0014 Mugmon, Matthew. Aaron Copland and the American Legacy of Gustav Mahler. NED-New edition. Boydell & Brewer, 2019.
Primera Plana, “Teatro. El creador de la Comedia Nacional, Antonio Cunill Cabanellas”, 21. June 1966 https://www.magicasruinas.com.ar/revistero/1/cunill-cabanellas.htm . Antonio Cunill Cabanellas https://es.wikipedia.org/wiki/Antonio_Cunill_Cabanellas Aporte de Cunill Cabanellas https://www.argentina.gob.ar/cultura/teatrocervantes/historia/cunill Conrado Ramonet, “Notas sobre la relación entre Adriá Gual y Antoni Cunill i Cabanellas” file:///C:/Users/ra78hon/Downloads/145348-Text%20de%20l'article-247994-1-10-20100520.pdf Antonio Cunill Cabanellas https://www.ecured.cu/Antonio_Cunill_Cabanellas Antonio Cunill Cabanellas, online: https://www.ecured.cu/Antonio_Cunill_Cabanellas
Place of Burial: Jewish Cemetery in Queens
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/W/wallerstein-saul.htm In the Jewish Cemetery in Queens Journal - Grand Street, Vol. 9, No. 3 (Spring, 1990), pp. 174-181 : https://www.jstor.org/stable/25007379 Belling, Veronica-Sue. THE HISTORY OF YIDDISH THEATRE IN SOUTH AFRICA FROM THE LATE NINETEENTH CENTURY TO 1960, Dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts in Jewish Civilization, Department of Hebrew and Jewish Studies, Faculty of the Humanities, University of Cape Town, 2003. https://open.uct.ac.za/items/86e0d713-7c23-4efc-b272-d84752e3668d Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.649.
Laura Mogliani: "Frank Brown, un clown inglés en Buenos Aires", en Historia del circo en Buenos Aires: de los volatineros a la formación universitaria. Universidad Nacional Tres de Febrero 2017. PP. 37-49 Beatriz Seibel: Vida de circo. Rosita de la Plata. Una estrella argentina en el mundo, Buenos Aires: Ed. Corregidor 2012 Raúl H. Castagnino: El circo criollo, Buenos Aires: Ed. Plus Ultra 1969 Rubén Darío, “Frank Brown. (Medalla)” in: 3.1897 Buenos Aires: April, 18 1897. P.12 La vida de Rubén Darío: Wikisource, https://es.wikisource.org/wiki/La_vida_de_Rub%C3%A9n_Dar%C3%ADo:_XLVIIAtlántida. Ilustración Semanal Argentina. Buenos Aires: 24th April 1924. Year VII. N° 316. P.26 Fray Mocho. “El campeón tirador de chocolate. Frank Brown entrevistado por Fray Mocho”. 1912. P.55-57. Martín Fierro. Segunda época. Buenos Aires: 20th March 1924. Year 1 N° 2. P. 12 Mundo Argentino. “El señor Frank Brown. Rosita de la Plata, su compañera del circo y de la vida, es la última persona que ríe con Frank Brown”, Buenos Aires: 20th July 1931. N° 1069. P. 14-15 The Standard. “Frank Brown of Circus Fame”, Buenos Aires: 1st May 1930. P.73
Circus Performer,Director,Founder,Impresario
Liz Evers: McCullough, John Edward, in Dictionary of Irish biography, 2019, https://doi.org/10.3318/dib.010107.v1. William Winter: In Memory of John McCullough. New York: De Vinne Press, 1889.
# Sophie Drinker Institut. Markus Gärtner: Europäische Instrumentalistinnen des 18. und 19. Jahrhunderts, https://www.sophie-drinker-institut.de/goddard-arabella. # Hongyu Gong: “Beginnings of Beethoven in Shanghai (1861-1880)”, in Musicology in China, 2016, Issue 1, pp.36-43. # Melanie Spanswick: British female pianists and teachers: Arabella Goddard, https://melaniespanswick.com/2012/04/01/british-female-pianists-and-teachers-arabella-goddard/.
Berst, Julius l: Odyssee eines Theatermannes. Erinnerungen aus 7 Jahrzehnten. Berlin- Grunewald: arani 1963. Berstl, Julius (Hrsg.): 25 Jahre Berliner Theater und Victor Barnowsky. Gustav Kiepenheuer, Berlin 1930. Margot Berthold, "Barnowsky, Viktor" in: Neue Deutsche Biographie 1, Historische Kommission bei der Bayrischen Akademie der Wissenschaften [ed.], Duncker&Humboldt: Berlin, 1953, p. 596, Online-Edition, https://www.deutsche-biographie.de/pnd118652613.html#ndbcontent.
Tito Livio Foppa: Diccionario Teatral del Río de la Plata, Buenos Aires: Argentores. Ediciones del Carro de Tespis 1961.José Antonio Saldías: Figuras del teatro argentino a fines del siglo XIX: Mariano Galé, Volume 2: Centro de Estudiantes, Fac. de Filosofía y Letras 1985José Antonio Saldías: Mariano Galé: benemérito del teatro argentino: Instituto Nacional de Estudios de Teatro: Volume 22 1947
other dates: 31 March 1926, Place of Burial: Mount Carmel Cemetery
Data collection and modelling by the DYBBUK project (ERC StG No. 948150); curation and enrichment by the T-MIGRANTS project (ERC StG No. 850742) Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/A/adler-jacob-p.htm Zalman Zylbercweig: Leksikon fun Yidishn Teater 1, New York: 1931, p.13.
Buried in Mount Carmel Cemetery, New York
Oliveira, Cláudia da Conceição Sousa Sales de. Ser actor : figurações nas memórias de actores portugueses nascidos no século XIX. PhD Thesis in Theatre Studies (Doutoramento em Estudos de Teatro) – Faculdade de Letras of University of Lisbon. Lisbon, 2021: http://hdl.handle.net/10451/48198 Junior, Luiz Americo Lisboa. Teatro português no Brasil : do Império à Primeira República. Master thesis (Mestrado em História, na especialidade de História e Cultura do Brasil) – Faculdade de Letras of University of Lisbon. Lisbon, 2020: http://hdl.handle.net/10451/44149 Simões, Lucinda. Memorieas: factos e impressões. SA Litho-Typographia Fluminese, 1922: https://books.google.de/books?id=oW8yAQAAMAAJ&printsec=frontcover&hl=pt-BR&source=gbs_ge_summary_r&cad=0 v=onepage&q&f=false (Portuguese National Library):O povo do Algarve. 6th July 1917. Ed. 94. Tavira, p.3.https://bndigital.bnportugal.gov.pt/viewer/180622?medianame=374670_1917-07-06_000003&q=%22lucinda%20sim%C3%B5es%22 page=3&viewer=picture&o=search&n=0&q=%22lucinda%20sim%C3%B5es%22 O povo do Algarve. 20th July 1917. Ed. 96. Tavira, p.1.https://bndigital.bnportugal.gov.pt/viewer/180650?medianame=374670_1917-07-20_000001&q=%22lucinda%20sim%C3%B5es%22%20%221917%22 page=1&viewer=picture&o=search&n=0&q=%22lucinda%20sim%C3%B5es%22%20%221917%22 (Newspapers of Hemeroteca Nacional Website):Diário do Rio De Janeiro. Year 55, Number 143, Rio de Janeiro, 26.05.1872: http://memoria.bn.br/DocReader/DocReader.aspx?bib=094170_02&pagfis=28788 O Paiz. 18th October 1919. Ed. 12791. Rio de Janeiro, p. 4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=178691_04&Pesq=%22lucinda%20sim%c3%b5es%22%20%221917%22&pagfis=44684 A Tribuna. 24th November 1922. Ed. 00242. São Paulo, p. 9:https://memoria.bn.br/DocReader/DocReader.aspx?bib=153931_00&pesq=%22lucinda%20sim%C3%B5es%22%20%221917%22&hf=memoria.bn.br&pagfis=47697 Pacotilha. 27th October 1920. Ed. 00254. São Luiz, p.1:https://memoria.bn.br/DocReader/DocReader.aspx?bib=168319_02&pesq=%22lucinda%20sim%C3%B5es%22%20%221917%22&hf=memoria.bn.br&pagfis=13943 Pacotilha. 19th Dezember 1922. Ed. 00297. São Luiz, p.4:https://memoria.bn.br/DocReader/DocReader.aspx?bib=168319_02&pesq=%22lucinda%20sim%C3%B5es%22%20%221917%22&hf=memoria.bn.br&pagfis=16584Gazeta de Notícias. 12th March 1917. Ed. 00071. Rio de Janeiro, p.6: https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22lucinda%20sim%C3%B5es%22%20%221917%22&hf=memoria.bn.br&am
Actress, Director, Entrepreneur, Declamation Teacher
Berst, Julius l: Odyssee eines Theatermannes. Erinnerungen aus 7 Jahrzehnten. Berlin-Grunewald: arani 1963. Fischer, Ernst: Verleger, Buchhändler und Antiquare Aus Deutschland und Österreich in der Emigration Nach 1933: Ein Biographisches Handbuch. Berlin/Boston: Walter de Gruyter GmbH, 2020.
Place of Burial: Villa Wahnfried in Bayreuth, Germany
Wagner, Richard. My Life, 1813-1883. Vol.1. New York : Dodd, Mead and Company, 1911: https://archive.org/details/mylifewagner01wagniala/page/n9/mode/2up Wagner, Richard. My Life, 1813-1883. Vol.2. New York : Dodd, Mead and Company, 1911: https://archive.org/details/myliferichwagner02wagnuoft Richard Wagner Museum - Luzern: https://www.richard-wagner-museum.ch/geschichte/tribschener-zeit/Richard Wagner Verband International e.V. Über Richard Wagner: https://www.richard-wagner.org/rwvi/de/richard-wagner/ueber-rw/ LEMO - Lebendiges Museum Online: https://www.dhm.de/lemo/biografie/richard-wagner Wagnermania. Vol. 276. Zaragoza, 2023: http://www.wagnermania.com/biografia/
The Queen of Magic in 1899, buried in Woodlawn Cemetery in New York
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Adelaide Herrmann.jpg
Ludwig Eisenberg: Ludwig Eisenberg’s Großes Biographisches Lexikon der Deutschen Bühne im XIX. Jahrhundert, Leipzig: Verlagsbuchhandlung Paul List 1903, pp. 1008-1009. Alexander von Weilen, „Friedrich Strampfer“ in: Allgemeine Deutsche Biographie 36, Historische Kommission bei der Königlichen Akademie der Wissenschaften [ed.], Duncker&Humboldt: Leipzig, 1893, pp. 496-497 [Online-Edition], https://www.deutsche-biographie.de/sfz81647.html#adbcontent A. Heinrich: Almanach für Freunde der Schauspielkunst 12–17, Berlin: Self-published, 1849–1853. A. Heinrich: Deutscher Bühnenalmanach 18–23,Berlin: Kommissions-Verlag Laffar, 1854–1859. Ingrid Bigler-Marschall, „Strampfer, Friedrich (Ernst Wolfgang)“ in: Deutsches Theaterlexikon 4, Wilhelm Kosch (ed.), München: K. G. Saur Verlag, 1998, p.2381. Constantin von Wurzbach: Biographisches Lexikon des Kaiserthums Oesterreich: enthaltend die Lebensskizzen der denkwürdigen Personen, welche 1750 bis 1850 im Kaiserstaate und in seinen Kronländern gelebt haben 39, Wien: kaiserlich-königliche Hof- und Staatsdruckerei, 1879, pp. 232-237.
Actor, Impresario, Director, Reciter, Farmer,Theatre Teacher
Research project: Pauline Viardot- Orte und Wege europäischer Kulturvermittlung durch Musik, https://www.pauline-viardot.de/index.html Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, pp. 4887-4889. Beatrix Borchard: „Erben, weitertragen, verwandeln – der Weg zur Selbstbestimmung einer Sängerin. Pauline Viardot-Garcia (1821–1910)“ in: Nicole K. Strohmann und Antje Tumat (edd.); with the cooperation of Lukas Kurz and Juana Zimmermann: Bühnenrollen und Identitätskonzepte. Karrierestrategien von Künstlerinnen im Theater des 19. Jahrhunderts, Hannover: 2016, pp. 73–91. Beatrix Borchard: Pauline Viardot-Garcia: Fülle des Lebens. Köln: Böhlau 2016.Volker Hagedorn: Pauline Viardot-García: Schluss mit Diva und Deko. Zum 200. Geburtstag von Pauline Viardot-García: Sie erweiterte die Möglichkeiten der weiblichen Stimme. in: Die Zeit, 04. Januar 2021, Hamburg: 2021. https://www.zeit.de/2021/01/pauline-viardot-garcia-opernsaengerin-musik-komponistinPauline Viardot-García: Pauline Viardot - Julius Rietz : Der Briefwechsel 1858 - 1874, Beatrix Borchard, Miriam-Alexandra Wigbers (edd.),Hildesheim: Olms, 2021.
Concert and opera tours to London, Wien, Prag, Berlin, Dresden, Weimar, Pest and Dublin. Burried at Paris, Montmartre (catholic)
Singer, Composer, Musician, Teacher (Theatre-related), Editor
Museum of Family History: https://www.museumoffamilyhistory.com/yt/lex/G/goldfaden-abraham.htm
Poet, Playwright, Director, Actor, Dramatist, Composer, Scenic Designer, Acting Instructor, Impresario
Frias, Visconte Sanches de. Arthur Napoleão: Resenha comemorativa de sua vida pessoal e artística (1845-1922). Lisbon, 1913:https://archive.org/details/arthurnapoleaore00fria/page/n7/mode/2up Salgado, Suzana. The Teatro Solis: 150 years of Opera, Concert and Ballet in Montevideo. USA: Wesleyan University Press, 2003. Brazilian Music Academy, „Patronos: Arthur Napoleão“, online source: https://abmusica.org.br/academicos/#patronos (Newspapers of Hemeroteca Nacional Website):Gazeta de Notícias. 24th November 1901. Ed.00328, Rio de Janeiro, p.2:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=3206 Gazeta de Notícias. 25th July 1902. Ed.00206, Rio de Janeiro, p.1:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=4319Gazeta de Notícias. 5th October 1902. Ed.00278, Rio de Janeiro, p.2:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=4674 Gazeta de Notícias. 15th October 1902. Ed.00288, Rio de Janeiro, p.1:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=4723 Gazeta de Notícias. 5th December 1902. Ed.00339, Rio de Janeiro, p.3:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=4966 Gazeta de Notícias. 26th August 1908. Ed.00239, Rio de Janeiro, p.3:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=18097Gazeta de Notícias. 24th July 1909. Ed.00175, Rio de Janeiro, p.8:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&pesq=%22arthur%20napoleao%22&pasta=ano%20190&hf=memoria.bn.br&pagfis=20192 Gazeta de Notícias. 9th October 1909. Ed.00282, Rio de Janeiro, p.2:https://memoria.bn.br/DocReader/DocReader.aspx?bib=103730_04&Pesq=%22arthur%20napoleao%22&pagfis=21035 Correio da Manhã. 28th January 1924. Ed.09088, Rio de Janeiro, p.8:https://memoria.bn.br/DocReader/DocReader.aspx?bib=089842_03&pesq=%22arthur%20napoleao%22&pasta=ano%20192&hf=memoria.bn.br&pagfis=18113(Memorys of Arthur Napoleão published in „Correio da Manhã“ Newspaper)
Litoff, Judy Barrett, and Judith McDonnell. European immigrant women in the United States: a biographical dictionary. New York & London: Garland Publishing: 1994, p.90-91. Maeder, Clara Fisher. Autobiography of Clara Fisher Maeder. Edited by Douglas Taylor. New York: The Dunlap Society, 1897, https://books.google.de/books?id=UWc7AQAAMAAJ&hl=pt-BR&pg=PA11#v=onepage&q&f=false
died in Metuchen, New Jersey; Burial: Woodlawn Cemetery, New York
Actress, Singing Actress, Drama teacher, Elocution teacher
Lætitia Corbière: “Les Strakosch, les Maretzek et les Grau : imprésarios moraves à New York,” https://www.transatlantic-cultures.org/pt/catalog/les-strakosch-les-maretzek-et-les-grau-impresarios-moraves-a-new-york. # Max Maretzek: Crotchets and Quavers: or, Revelations of an Opera Manager in America, 1855.
Composer, Conductor, Impresario, Founder, Manager, Theatre Teacher
Henry Scott Holland, W. S. Rockstro: Jenny Lind. Ihre Laufbahn als Künstlerin. 1820 bis 1851. Band I. F. A. Brockhaus, Leipzig 1891; Jenny Lind. Ihre Laufbahn als Künstlerin. 1820 bis 1851. Zweiter Band (1891). Ellis Island records, Passenger Record: Jenny Lind arrived in America in 1850, her companions, Giovanni Belletti and Julius Benedict, were also on the passenger list. https://heritage.statueofliberty.org/passenger-details/czoxMzoiOTAxMTk5OTYwNjk2NSI7/czo4OiJtYW5pZmVzdCI7#passengerListAnchor.
From 1850 to 1852 she went on a grand tour of the USA organised by P. T. Barnum, where she was to perform in 150 concerts, at a fee of $1,000 per performance; however, she reneged on her contract after some time, paid Barnum compensation of $30,000, and gave the last 60 concerts on her own meaning that she now no longer had to share the income with Barnum and could donate all the more money to charity (in the USA, but also later in Sweden and Great Britain).
# Passenger Search of The Statue of Liberty - Ellis Island Foundation: Blanche Whiffen, login required, https://heritage.statueofliberty.org/passenger-result. # Blanche Whiffen: Keeping off the shelf, New York, Dutton 1928. # Internet Broadway Database(ed.): Mrs. Thomas Whiffen in Broadway, https://www.ibdb.com/broadway-cast-staff/mrs-thomas-whiffen-69049. # A Glimpse of Theater History, MRS. WHIFFEN, in Internet Archive, https://web.archive.org/web/20061029072816/http://www.wayneturney.20m.com/whiffenmrs.htm.
Burial: Cremated, Specifically: Location of ashes is unknown, but possibly in England.
Arral, Blanche: The Extraordinary Operatic Adventures of Blanche Arral. Portland, Cambridge: Amadeus Press, 2002. Karl-Josef Kutsch, Leo Riemens: Großes Sängerlexikon, Bern: Saur 2003, p. 158-159. The New York Times: “Mme. Arral's Recital.: A Programme of Varied Character Given in Aeolian Hall.” 5th Novembre 1912, New York. The New York Times: “Mme. Arral's Concert.: Operatic Airs, with Orchestral Accompaniment, Given in Carnegie Hall.” 25th Octobre 1909, New York.
In 1908, she met American author Jack London and his wife in Suva, Fiji, after which London later gave her a brief mention as Lucille Arral in his novella Smoke Bellew.
Marita Krauss: “Ich habe dem starken Geschlecht überall den Fehdehandschuh hingeworfen”. Das Leben der Lola Montez, München: C.H. Beck, 22021.
CASTRO, Ruy. Carmen: uma biografia. São Paulo: Companhia das Letras, 2005.
https://de.wikipedia.org/wiki/Charles_Bennett_(Autor) Bennett, Charles. Hitchcock's Partner in Suspense: The Life of Screenwriter Charles Bennett. University Press of Kentucky, 2014. https://www-jstor-org.emedien.ub.uni-muenchen.de/stable/j.ctt5vkkwb
https://www.t-migrants.gwi.uni-muenchen.de/wp-content/uploads/images/Charles Bennet.webp
Litoff, Judy Barrett, and Judith McDonnell. European immigrant women in the United States: a biographical dictionary. New York & London: Garland Publishing: 1994. # "Marlowe, Julia" Notable American Women, Vol. 2, 4th ed., The Belknap Press of Harvard University Press, 1975. John D. Barry: Julia Marlowe. Boston: R. G. Badger, 1899. Charles Edward Russell: Julia Marlowe, Her Life and Art, New York: D. Appleton and company, 1926. Julia Marlowe and E. H. Sothern: Julia Marlowe's Story, edited by Fairfax Downey, New York: Rinehart, 1954. Sothern and Marlowe papers (1860-1950), held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts, https://archives.nypl.org/mss/2820. Guide to the Edward Albert Filene papers, 1918-1937 P-164, Part of the American Jewish Historical Society Repository, 2009, https://archives.cjh.org/repositories/3/resources/2799. Margherita Arlina Hamm: Eminent Actors in Their Homes, New York: 1902. Garff B. Wilson: A History of American Acting, Bloomington Indiana University Press, 1966. William Winter: Vagrant Memories, New York: 1915, repr. New York: 1970. William C. Young: Famous Actors and Actresses on the American Stage, Vol. 2. New York: 1975. Julia Marlowe: "How to Succeed on the Stage," Metropolitan: September 1909, pp. 287–288. Women in World History: A Biographical Encyclopedia of Marlowe, Julia (1866–1950), https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/marlowe-julia-1866-1950.
Burial: Brompton Cemetery, Royal Borough of Kensington and Chelsea, Greater London, England
other sources: between Novembre 1839 and Decembre 1840
Ancestry.com. (ed.): Daniel E. Bandmann, Hellgate, Montana, 1900 US Census. https://www.ancestry.de/search/categories/40/?name=Daniel++E._Bandmann&birth=1837_Kassel&birth_x=5-0-0&count=50&gender=m&name_x=_1 The Statue of Liberty - Ellis Island Foundation (ed.): SS Fanny Kirchner Passenger List, 11st November 1861, Daniel Bandmann. Christopher B. Balme: The Globalization of Theatre 1870–1930: The Theatrical Networks of Maurice E. Bandmann, Cambridge: 2019. Bear Bones Historians (ed.): Jewish Settlers in Montana: Daniel E. Bandmann, https://www.bearboneshistorians.org/copy-of-leslie-fiedler. Lisa J. Warrington: “Herr Daniel Bandmann and Shakespeare vs the World,” in Theatrescapes Global Media and Translocal Publics (1850-1950), 2016, Vol. 1 No. 2, pp.56-70. Nicole Anae: “The German-Jew that Bandmann Drew: Daniel E. Bandmann’s Shylock on the Australian Colonial Stage, 1869–1870,” in Special Issue On Shakespeare And Ben Jonson, Vol. 12, 2016, pp. 389-410, https://www.tandfonline.com/doi/abs/10.1080/17450918.2016.1196723?journalCode=rshk20. North China Herald. 12rd May 1882, p.498, pp.515-516: https://archive.org/details/north-china-herald-1882.05.26/page/568/mode/2up?q=Bandmann. James Grant Wilson (ed.): The Memorial History of the City of New-York, New York: New York History Co., 1892-93, p. 495. Graham, Franklin: Histrionic Montreal: Annals of the Montreal stage, with biographical and critical notices of the plays and players of a century, Montreal: J. Lovell, 1902, p. 240-p.243
Helena Modjeska: Memories and Impressions of Helena Modjeska: An Autobiography, New York and London: Benjamin Blom, 1910. Helena Modrzejewska: Listy, Vol. 1 and 2, ed. by Alicja Kędziora and Emil Orzechowski. Warszawa: PIW 2015. Beth Holmgren: Starring Madame Modjeska: On Tour in Poland and America, Bloomington: Indiana University Press, 2012. Helena Modjeska: US Theatrical Tours, From 1877-1907, Polish actress Helena Modjeska toured the United States and Canada. Explore these maps to learn about her historic career. Hosted by OC Parks. October 8, 2022: https://storymaps.arcgis.com/stories/385c21595f534869ad9a64a1349c0c0d "Helena Modjeska scrapbook" Volume 1, The New York Public Library Digital Collections. 1877 - 1898. Billy Rose Theatre Division, The New York Public Library. https://digitalcollections.nypl.org/items/56fa7820-fd8e-0132-8cd4-58d385a7bbd0 "Helena Modjeska scrapbook" Volume 2, The New York Public Library Digital Collections. 1878 - 1897. Billy Rose Theatre Division, The New York Public Library. https://digitalcollections.nypl.org/items/6a39f2b0-fd8e-0132-d628-58d385a7bbd0
Bay Island, Newport Beach, near Los Angeles her body was returned to Poland for the burial at Rakowicky Cemetery, Cracow