she left Vienna because of disagreements with Gustav Mahler (Director
Between 1905 and 1907 guest engagements at Berliner Hofoper
Opera singer, St. Petersburg Singer, 1845 she gave concerts in Germany with Hermann Berens (piano), later in Hungary Opera singer, Carnival 1847, Rom Opera singer, 1847, Royal Opera House, London Opera singer, Octobre 1847, Theatre-Italien, Paris
work together with Impresario Bartolomeo Merelli
she gave concerts in Germany with Hermann Berens (piano), later in Hungary
Start 1877, End between 10. June 1878 and the end of 1878
tours through Italy (Mailand, Triest, Vicenza, Bologna and Rom)
sang there „The Trompeter von Säckingen“ , worked with the composer Victor Nessler
Guestengagements until his retirement 1897, especially in Bukarest, sang there together with Gemma Bellincioni
she was on tour through Europe in Straßburg, Danzig, Hamburg, Berlin (Kroll-Oper)
In the 1880s he was impresario in Europe together with his brother Maurice and his nephew Robert (Maurice´s son).
He played lover roles there, was a character actor and sang in the choir. At times he even danced ballet, repeatedly partnering the famous dancer Katharina Lanner (daughter of Joseph Lanner).
he was appointed professor at the Academy of Music in Munich, where he was also responsible for the artistic training of young talents at the Court Theatre.
His job was to find young talents and teach them in correct speech
very successful public academy in front of the Parisian public (in the salle Herz)
debut in Il Trovatore under the name Tini Rössler
1815? , with engagements at Theater an der Wien
End of Engagement because of marriage with an officer, David Oskar von Döring. It was forbidden being an officer´s wife and working on stage at the same time
she sang alternately in Gotha and Coburg
she sang together with Ludwig Schnorr von Carolsfeld
UA: Tristan und Isolde, title role together with her husband. after the death of her husband (21.7.1865) she withdrew from the stage
Singer, Theatre owner, Direktor, Gesangslehrer
Paris im Ballett-Divertissement zu Halévys Oper La tempête
At the same time guest engagements in London
fixed contract. She was the highest paid dancer of her time in Paris
played supporting roles alongside prominent actors like Edwin Booth and John Edward McCullough
often acting in the plays of Henrik Ibsen
because of invitation of König Ludwig II, after he heard him in Darmstadt, he sang 700 times in Munich, also in all Wagner operas, UA Meistersinger von Nürnberg
Assistant of Hans Richter at the first Bayreuther Festspiele
UA of his first opera Agnes Bernauer, promoted by Franz Liszt
Leader of the Königliche Akademie der Tonkunst in München
other source 1850-1852 Stadttheater Breslau
first training with the orchester 23th december 1907
toured with The Diamond Express and appeared at the Royal Variety Performance
with an annual salary of 700 Riksdaler Banco
member of the Royal Swedish Music Academy in Stockholm and appointment as court singer
with Meyerbeer; Private performance, debut at the Royal House of Berlin
Tour through the USA with over 150 concerts, including Cuba and Canada. USA-Tour was organised by P.T. Barnum. Lind left England on 21 August 1850 and arrived on 1 September 1850 in New York.
1905-1908 or 10, “Leamy Ladies” troupe (named for their manager, Edward Leamy), touring Europe as well as performing with the Barnum&Bailey Circus in the U.S
1911- around 1914. she worked in vaudeville
shortly after her arrival she already broke the contract
Became a traveling actress in the 1860s (due to financial difficulties)
Yankev Ber Gimpel (Theatregroup of Max Gimpel), later becoming prima donna Actress
her first English part (title role of Fédora, by Victorien Sardou
Last stage appearance. She recited the final scene of Louis Untermeyer's poem Heine's Death
Movies: In 1923, she performed in Jitta’s Atonement, adapted by George Bernard Shaw from the work of Siegfried Trebitsch.
Invitation of Ernst von Possart)(Privat plays for König Ludwig II
he followed Ludwig Barnay, who founded this theatre, but broke with him and got a theatre ban for breach of contract, than he went to USA (for tour or for longer?
Invitation of the director Max Burkhardt, appointment to “Imperial and Royal Court Actor”, for this he got a contract of twelve years
dismissal due to the theatre’s financial problems
Invitation on the recommendation of Richard Wagner
From 1897, Held enjoyed several successes on Broadway, including A Parisian Model (1906–1907).
Appearing continuously Ziegfeld-Productions, 1900-1912.
1833- around 1840. rising up to the première danseuse
touring the provinces of England with her husband George
1850- maybe 1856. appearing together with George as a dance act, Chicago and Midwest
Gilbert’s New York debut in Finesse at the Olympic Theatre
touring the U.S., Germany, France and England
debut in 1908, playing a boy in J. Gordin's Mirele Efrosplaying a boy in J. Gordin's play Mirele Efros. The theatre is unknown.
Yiddish theatre companies (David Kessler, Boris Thomashefsky)
She taught women, who later become celebrity actresses; Fisher would later disparage their talents to the press
Union Square Company of Mrs. John Drew and Augustin Daly
Last performance (August in Daly’s Company)
other source: 1829, invited by Louis Duport, there administrator in Vienna for Domenico Barbaja
other source: 1829-1831, played together with Franz Wild, got an acting training there.
together with Wilhemine Schröder-Devrient
touring two years through Northern America
sang there in the UA of Salome, Elektra and Der Rosenkavalier
after her carrier as an opera singer she was a singing teacher in Wien
her husband Hans Claar was director and actor there
condition in his contract: he wanted to play also at the German theatre there
Ensemble, influenced by Heinrich Laube he changed to other roles
live long contract, 1864 cancelled by himself after a disput with Karl August Ludwig Quanter
Guest engagements in the 1850th and 1860th to Leipzig, Dresden, Berlin, Potsdam, Weimar, Breslau, Prag, München, Augsburg, Paris, St. Petersburg, Pest, Magdeburg, Schwerin, Nürnberg and Warschau
he succeeded his father at the New York Oratorio Society
He succeeded his father as conductor of the New York Symphony Society (later renamed the New York Symphony Orchestra)
Playing the roles of Lady Teazle, Countess Leika, Lady Clare and Rosalind, winning a pronounced success in each
but soon Coghlan left,being displeased with a part assigned to her in L' Abbe Constantin
after Coried changed to the new York metropolitan opera 1907 and the theatre became a bad reputation in the following years. He led it to old gloriosity and was stopped because of the first world war- his money was confiscated.
several filmes, last one Foolish Wives still exists
Guest engagements in Düsseldorf and in Oldenburg (first time at Großherzoglichen Theater in Oldenburg 14th January 1900 as Hamlet, last time 26th november 1911 as Othello).
For several times he played at Deutsches Theater in St. Petersburg
His strongest international relation was to Deutsches Theater in New York, the Irving Place Theatre, with Heinrich Conried as director (first time april 1898 together with Agnes Sorma in Humperndincks Königskinder)
Christians had negotiated a generous holiday arrangement with the Königliches Schauspielhaus Berlin, which allowed him to make guest appearances for more than three months a year. However, it must be to take into account that he needed 14 days of that time for the Bremen-New York ship and back. At least until 1906 he was able to spend several weeks in New York each year.
after finishing his lessons - Carl Rosa Opera Company
Opera singer (old), also actress in play operas
Contract with impresario Alessandro Lanari: She danced at La Fenice (Venice) and San Carlo (Neapel)
1834 Grisi Carlotta met Jules Perrot and travelled together with him
because Fanny Elßler was on tour in North America
debut with “Romeo” in I Capuleti e i Montecchi
last time she sang on stage (again Romeo)
Grisi sang together with Marietta Alboni at the openening of Covent Garden Opera in Rossinis Semiramide.
Staatsoper Unter den Linden, Berlin (first time 2nd september 1859) Permant engagement 1st january 1860 to death 1865
She left stage because of marriage with Gustav Geiringer. Nothing known about her after 1902.
He quit in a dispute with the Intendant Friedrich Halm in the autumn of 1867
He joined an Italian opera company in the autumn of , becoming its impresario. This marked the beginning of his career as one of the most important opera directors of his era.
Impresario of the Italian Opera, 1867 (for some years), Sankt Petersburg and Moskau
From 1876 additional Stadttheater Altona
And from 1894 additional Thalia Theater. He presented opera four times a week, drama twice, operetta or ballet once and was so successful that he achieved full houses and handsome surpluses. He staged 175 premieres, 51 of them world premieres, and continued as opera director until his death.
where Schumann followed a bigger opera company, he worked in speaking roles in opera and as an souffleur
which was combined with the theatre in Triest
Theatre director, Laibach (which was combined with the theatre in Triest)
Count Skarbek wanted him for this position
he changed for political reasons from Lemberg to Laibach
after a stroke he retired into private life
chemistry at the Technical University of Karlsruhe
Als 1934 ein Gastspiel in Leipzig von der Reichstheaterkammer wegen ihrer jüdischen Abstammung verboten wurde, erklärte ihr Ehemann seinen Austritt aus dieser Organisation.
Sie ging nach Albert Bassermanns Tod 1953 für zwei Jahre an das Stadttheater Göttingen
Kortner erfolgreich bei dem Schauspiellehrer Ferdinand Gregori, Vorsprechen, Wiener Akademie für Musik und Darstellende Kunst
Berthold Viertel engagiert Kortner an die Wiener Volksbühne
Einladung von Wolfgang Langhoff nach Berlin
continued carrer in the service of nazi cinema
He got the job on the recommendation of Richard Wagner, whom he knew because of the Nibelungen-Kanzlei. He worked there under director Angelo Neumann
The ensemble was founded by Angelo Neumnann
Guest engagement. Co-conductor under Leopold Damrosch, later under Walter Damrosch
During his time in New York he had a lot of guest emgagements in several American cities to conducht wagner operas, e.g. 1991 through Invitation of Benjamin Johnson Lang in Boston to performe Parsifal there fort he first time
1859 he lost his voice and he regenerated in 1862
1859 he lost his voice and he regenerated in 1862. 1865 he lost his voice again and got no new contract 1866 in Wien for this reason. He moved to Wien after retirement
1865 he lost his voice again and got no new contract 1866 in Wien for this reason. He moved to Wien after retirement
1876 he moved to Graz to give singing lessons
for which he wrote around 60 radio plays, some under the pseudonym Gordon Mitchell
North-America Tour. After the first world war he played in films especiallly in silent movies.
tours through Europe (Sofia, Bukarest), but also Germany (Dresden, Köln, Leipzig, München and Weimar
From 1913 no fest Commitment, but journeys to Japan, Korea, China for studying.
She was German and for this reason she was hostile and had to quit her job at the Metropolitan Opera
Stettin, Mainz in the years between hear debut in Berlin and Bremen
1894 toured through Netherlands. There Walter Damrosch engaged her for his opera company and a tour through USA
from 1905 until 1914 she lived in Berlin and had guest engagements all around.
in summer 1908 and 1910 she sung at the Münchner Wagner-Festspiele
After her big success in Nizza she went to Germany to study Wagner-roles. She had different guest engagements also in Berlin at the Hofoper.
After the first world war she had guest engagements in Berlin, Dresden, Leipzig, München and Amsterdam, but dates are not known until now.
During her time in Berlin she has guest engagements in Monte Carlo, Paris, London, Stockholm und Brüssel.
Bernhard Scholz helped her to get the job. After marriage 1863 she finished her career as an opera singer and sang only in concerts again.
engagements in several German opera houses.
At the end of the opera seasons, Josephine returned to Warsaw where she performed for charities, as her mother had. She gave any income that she made in Poland to charity.
her uncle gave her the job, she left Dresden because of his political trouble
1853 appointment as Kammersängerin. 1862 resignation from the stage, but again on stage as an actress two years later
his father died and he must earn money for the family, so he became chief-conductor at Carltheater
Tournee in France, Belgium and Holland in 1938 and again in 1950
Pieces in German are performed in Warsaw, not very successfully
Touring the Russian Empire. Companies organized by the Kaminskis
Several successful tours, managed by her husband
Kaminska organized a succession of dramatic companies, Translator
Collaborations with companies in Poland (e.g. Vilner Trupe) and Yiddish companies abroad.
Reestablished Varshever Yiddisher Kunst-teater
Dos Baveglekhe Dramatishe Teater and Di Yunge Bine
Tour throughout Europe, visiting displaced person camps
first appearance, sang under his pseudonym Paolo Alberti
In the summer of 1844 she fell ill with tuberculosis but recovered.
Starts a company in the Teatro da Rua dos Condes
he left Paris Opera when Gailhard left. during his time there he didn't go on tour anytime. Studies at Konservatorium in Paris because of recommendation of the director of the Paris Opera Pierre Gailhard, later studies at Pariser Konservatorium with Edmond Duvernoy his debut in Paris 1880 he sang together with Nellie Melba.
with the Oskar-Braun-Operettengesellschaft
Summer tour of the Great Opera Houses of Europe.
Studies at Lobkowicz Konservatorium in Wien with Mathilde Marchesi de Castrone
She sang together with Enrico Caruso in UA of La Fanciulla del West in New York at Metropolitan Opera.
Approval of her book Jazmín del país as ideal for schools. First edition of the book in 1929. Approval was later
Artistic society directed by Vale in Teatro da Trindade and later in Teatro Dona Amélia and Teatro da Rua dos Condes
Stays in Brazil after that working with Pascoal Segreto Company. Starts to work as playwriter with the Brazilian writer Cardoso Meneses.
Luíz Galhardo Theater Company. With this company he made a tour in Brazil (1916)
President of the theatrical workers union
Sociedade Teatral Ltd.. Hired by Antônio de Macedo
He works with José Clímaco’s company in Éden Teatro and with Companhia Portuguesa de Revistas of Jorge Grave in Politeama
She stoped to work at the theatre and started to work as a private singer teacher at home.
With Sociedade Particular do Ginásio do Comércio (at this time her husband's theater company returned to the city of Rio Grande and the actress was no longer part of the company) after June she worked in the Alves Meira Theatre Company.
(at this year, the company also performed in Pelotas city) She and Bartholomeu Magalhães gone to Rio Grande to work at the Raymundo’s Company also called as Sociedade Dramática Empresária. They were based on Teatro Sete de Setembro.
She worked in different theatres of the city and different companies.
She worked with the José Antônio do Vale’s dramatic company
With the Associação Dramática Empresária. There are newspaper reports that state that the actress moved from Rio de Janeiro in 1878, but it is not clear where she went, why, and when exactly she returned.
Take part of a theatrical society the Compania Dramática in the Teatro São Luiz
She worked as director with Lima Penante in the Manuela Lucci theater company
Last time that she worked with her theatre company with Lima Penante
She stopped with the theatrical business and opened a wax flower store on the old Rua do Comercio in the city of São Paulo
He moved to the country site of São Paulo where he lived until returning to Porto. Tobacco store owner
1900 World Fair in Paris, and then took his own productions to Berlin, Vienna, Budapest and London.
Wrote and directed three films: Das Gespenst von Clyde, In Nacht und Eis, and Das Mirakel.
made one more film, Der Excentric-Club for Projektions-AG Union (PAGU)
Tour in Europe, especially in Warsaw, Poland Yiddish theatres in Europe
She concentrated on the English-lenguage stage
Last stage appearance, Isaac Beshevis Singer‘s In My Father‘s Court
Circuit in England, Ireland and Scotland
Theatre with the manager Mr. Robert William Elliston
Stamford Circuit theatres at Newark and Grantham
Varied experience in New York, performing in three or four theatres.
Winter 1840. Due to non-payment of salaries for the season at the Park Theatre, they created a company and occupied the Franklin Theatre
Made her New York debut in The Spoiled Child at the Bowery Theatre
Tour in diferente cities in the US Including Bowery Theatre (NY) and Chestnut Street Theatre in Philadelphia.
Tour with the hole family in Jamaica She went with the company to Jamaica in a partnership with Mr. Jones.
Member of the stock company in the Bowery Theatre
She worked there when the Park was closed
She worked with her father Rafael and sister Carmella
between July 01.07.1881 and September 30.09.1881
between September 1882 and November 1882
between September 1881 and December 1882
Sourcesay the Academy only existed from 1875 onwards
between 19th March 1869 and 20th April 1870
between 1st January 1896 and 22nd March 1896
between 4th October 1899 and 31st December 1899
Carl Rosa Opera Company - Tour in England
acted in the film "Estudantes" directed by Wallace Downey
acted in the film "Alô, alô, Carnaval" directed by Wallace Downey
acted in the film "Banana da terra" directed by Wallace Downey
São Paulo, Santos, Campinas, Franca, Ribeirão Preto, Poços de Caldas
Tour with expectacle „Streets of Paris“ in Philadelphia, Toronto, Pittsburgh, Saint Louis
Cassinos tour in São Paulo State : Franca, Ribeirão Preto, Campinas, Santos, Poços de Caldas
Between mid January and Mid February 1940
Programm „The Fleischmann Hour“. Premiere 1939-07-03
Shubert Musical Revue “Sons of fun”. Premiere in 1941-12-01
Tour in Europe ( Italy, Sweden and Finland)
After this tour, between 1886-1890 she and her husband settled in Lisbon and sought to rest and not engage in theatrical activity
Last prasentation of Lucinda Simões as na Actress
First Municipal Prize to Cinema Production (1947) and First Prize from the Arts and Cinema Sciences Association
Municipality Prize for El verdadero Byron (1954), and Municipality Prize Ricardo Rojas for his essay Ricardo Rojas (1967).
between 29th May 1850 and 21st Fabruary 1851
between 20th March 1853 and 7th February 1854
Metz, Strasbug, Darmstadt, Ems, Koblenz, Manhheim, Frankfurt
Wiesbaden, Bremen, Weimar, Berlin, Hamburg
Posem, Breslau, Warsaw, Cracow, Vienna, Leipzig, London
youngest leading women in the U.S. at that time
between 1st January 1858 and 21st October 1858
between 1st November 1858 and 31st December 1860
between 1st November 1858 and 31st December 186
Concert in favour of his brother Alfredo
travelling to sign contracts for future concert
(Instituto Nacional de Música) concert celebrating the 50th anniversary of his first concert in Rio de Janeiro
She was 10 years old, just before move to Brussels
Stars in a weekly series of fifteen-minute radio broadcasts
Frankfort - Tour around South and West of US
Lexington - Tour around South and West of US
Vicksburg - Tour around South and West of US
Natchez - Tour around South and West of US
to benefit the Shakespeare Memorial Theatre Fund
He had the same wandering ways with his parents, until he had made Paris his place of rest.
Pabst Theatre // Lawndale Jewish Theatre Company (Chicago) he died after a performance at that theatre
Tour through the USA with over 150 concerts, including Cuba and Canada.
She made her stage debut on 27 November 1930 as a minor role.
Jenny Lind transitioned from an apprentice to a salaried professional actress at the Royal Theatre, with an annual salary of 700 Riksdaler Banco. She went to Paris in July 1841.
He toured San Francisco und remained there
was in the Theatre Royal Drury Lane London
as an amateur in a wretched little theatre in Pancras Street, Tottenham Court Road.
From May 1935 till February 1936, he was imprisoned in El Puerto de Santamaría. He was expelled from PSUC in 1949. He was imprisoned in 1957 and died in Burgos penalty.
His novels Barrio gris y Oro bajo were both adapted into films. He wrote the script for Oro bajo (1954) and obtained the prize Premio Cóndor de Plata. Barrio gris obtained a golden medal from the Comisión Nacional de Cultura de Argentina.
Compañía de Florencio Parravicini- Pablo Podestá y Orfilia Rico
Between 6th August 1889 and 5th August 1890